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Bejun Mehta, Sophie Rennert, Francesca Ascioti & Giuseppina Bridelli Headline Innsbruck Festival of Early Music’s 2022 Season

https://operawire.com/bejun-mehta-sophie-rennert-francesca-ascioti-giuseppina-bridelli-headline-innsbruck-festival-of-early-musics-2022-season/

(Credit: Innsbruck Festival of Early Music official website) The Innsbruck Festival of Early Music has announced its 2022 season, featuring three operas and a number of concerts. For the purpose of this article we will focus on the vocal works. Here is a full slate. Operas  Carl Heinrich Graun’s opera “Silla” spotlights Bejun Mehta, Eleonora Bellocci, Valer Sabadus, Roberta Invernizzi, {…}

Reviews, Stage Reviews

Innsbruck Early Music Festival 2021 Review: Idalma

https://operawire.com/innsbruck-early-music-festival-2021-review-idalma/

(Photo: Birgit Gufler) Bernardo Pasquini (1637 – 1710) is not a particularly well-known name in opera circles, yet in his day he was considered the foremost composer of dramatic works for the stage in Rome, with his high point coming in the 1670s and 80s, after which he was slowly displaced by, amongst others, Alessandro Scarlatti. As well as 15 {…}

Reviews, Stage Reviews

Innsbruck Early Music Festival 2019 Review: La Dori

https://operawire.com/innsbruck-early-music-festival-2019-review-la-dori/

(Photo: Innsbrucker Festwochen/Rupert Larl) To mark the 350th anniversary of the death of the Italian composer, Antonio Cesti, the Innsbruck Early Music Festival decided to mount a production of his opera “La Dori, overo Lo schiavo reggio,” written for Archduke Ferdinand Karl of Further Austria, and premiered at the city’s court theatre in 1657. Cesti had a close relationship with {…}

Reviews, Stage Reviews

Innsbruck Early Music Festival 2018 Review: Gli Amore d’Apollo e Dafne

https://operawire.com/innsbruck-early-music-festival-2018-review-gli-amore-dapollo-e-dafne/

One of the highlights of the Innsbruck Early Music Festival is the “Cesti Competion,” for singers specialising in the baroque repertoire. Now in its ninth year, one of the prizes on offer for the contestants who qualify for the final round is the opportunity to sing in an opera at the following year’s festival. It is presented as “Barockoper: Jung,” {…}