It is an under-appreciated coincidence that Janacek’s searing opera of bourgeois repressiveness and psychological collapse appears in the same year as fellow Moravian Sigmund Freud’s “Beyond the Pleasure Principle” and his study of “Mass Psychology” (they were, in fact, born mere miles apart). “Kat’a Kabanova” is a psychic drama of shame and self-hatred. As in Freud’s work, Janacek creates a {…}