OperaWire: How did you hear about the program and why did you think it was a good fit for you?

Sophia Baete: The way in which I heard about this program was a bit unique… I took part in the inaugural cohort of the Shared Voices Program, meaning that I was really a part of the genesis of what this initiative is. I believe I was recommended by Juilliard faculty at the time and also requested by Denyce to participate. Denyce has been a dear mentor to me for years now and I truly believe in the mission statement that “education is activism”. It was an easy yes for me to join this program in its beginning stages.

OW: What have you learned from working with Denyce Graves?

SB: One of the biggest things I have learned from working with Denyce Graves is to keep going. I’ve learned to keep digging deeper into my art, to keep seeking new lessons to learn from my voice, to strive for greatness and to then try and surpass even that. The determination and vitality she held throughout her career is something that inspires me deeply. I cannot wait to continue learning from her as the mentorship we’ve built over many years continues to blossom.

OW: As a young artist, what is the most daunting thing and why do you think a foundation like this is important?

SB: I’ve always believed it is crucial in this career to find your tribe. As a young artist, any and all guidance and support we can receive from those who have thrived in this business and have done exactly what we are dreaming to do is crucial. It is true that artists learn by doing. However, I’ve always felt that I’ve learned just as much if not more by watching those around me. This foundation has created a network of artists, mentors and industry titans to watch, learn from and grow with. It is very special to have a blueprint of the career by way of The Denyce Graves Foundation.

OW: What does it mean to be supported through a program like this and why do you think it is important for foundations like The Denyce Graves Foundation to exist?

SB: Bridging the gap between conservatory institutions and HBUC is crucial in order to properly mirror the diversity that we see in our world onto opera stages everywhere. I believe that The Denyce Graves Foundation is a vital part of this change. I’ve mentioned before that one of Denyce’s favorite mission statements is that “education is activism.” This foundation models this statement through each and every initiative they execute.

OW: What is an important memory from being part of this program that you will never forget?

SB: One of the most important memories I still hold deep in my heart from my time in The Shared Voices Program was having the opportunity to perform the title role of Bizet’s “Carmen” with orchestra for the first time. This experience was made even more magical in the fact that Denyce Graves is one of the most celebrated, iconic Carmens of our time. The whole thing was quite literally out of a fairytale. I will never forget being given a shot like that so early in my career!