Opernhaus Zürich 2017-18 Review – Tosca: Anja Harteros’ Star Power the Driving Force In Carsen’s Production

Anja Harteros. Anja Harteros. Anja Harteros. Yes, reading that isn’t very interesting. Listening to her and experiencing her is quite a different story. The German soprano was nothing short of sensational on a starry Saturday opening night of a revival of the Robert Carsen production of “Tosca” at the Zurich Opera. It was recently reported that Harteros has stopped singing {…}

Amore Opera 2017-18 Review – Tosca: Jose Heredia and Dilara Unsal Ozkan Prove Themselves a Power Couple

Hidden within the Riverside Church on Clairemont avenue is the Riverside Theatre, this is where the production company Amore Opera has set the stage for its production of Puccini’s “Tosca.” Just as the opera itself grapples with love, jealousy, and what lies beneath the surface of facades, Amore Opera’s production has faithfully upheld these themes through the artistry of the {…}

Metropolitan Opera 2017-18 Review – Norma: Marina Rebeka Makes Powerful Impression Alongside Joyce DiDonato, Joseph Calleja in New Met Production

This is a review for the Oct. 20 performance. I would like to begin this review at the end, since the final impressions, sensations and overall reaction of the audience is the barometer which measures the overall impact of the performance.   In the case of this “Norma,” the final curtain was greeted with a massive explosion of applause in the {…}

Social Media Beat (10/13-19): Rubber Ducks, Fencing & Bears Headline Opera Singers’ Activities This Week

It’s a weird week in the opera world with major artists showcasing pictures of strange new productions and even rubber ducks. Check it out. The Metropolitan Opera is gearing up for its upcoming production of “The Exterminating Angel” and had an interesting preview to showcase. As the dinner party in Thomas Adès’s The Exterminating Angel progresses, things take a decidedly {…}