Q & A: Francesca Sassu & Raffaella Lupinacci on Getting COVID-19, ‘Anna Bolena,’ & Returning to the Stage

Francesca Sassu and Raffaella Lupinacci’s long-awaited debuts at the Lithuanian Opera in “Anna Bolena” proved quite a unique experience for both artists. Namely due to COVID-19. The Italian singers were set to perform the work for the first time in August until they tested positive for the virus. As a result, the company postponed the opening of the production while {…}

Q & A: Baritone Kenneth Overton on Returning to Live Performance & Spotlighting the Lives of the Black Opera Greats

Baritone Kenneth Overton recently performed for the first time in front of a live audience at Green-Wood Cemetery in Brooklyn, New York. The performance, entitled “To America,” celebrated the poetry of the civil rights activist, James Weldon Johnson, an early leader of the National Association for the Advancement of Colored People (NAACP), and who is buried at Green-Wood. “To America” {…}

Q & A: Soprano Natalia Tanasii on the Salzburg Festival, Sting, & Strauss

(Credit: Natalia Sedinta) Moldovan soprano Natalia Tanasii was only 21 when she made her professional stage debut as Countess Almaviva (“Le nozze di Figaro”) at the Moldovan National Opera. Her unforgettable Salzburg Festival debut followed in Krzysztof Warlikowski’s staging of “Elektra” this year. In an interview with OperaWire, Ms. Tanasii discussed her career moves, repertoire choices, and her preparation process {…}

Q & A: Soprano Regula Mühlemann on Her Passion for Mozart & Baroque, Making Recordings, the COVID Lockdown

(Credit: Guido Werner Photography) Young Swiss soprano Regula Mühlemann currently has one of the most recognized and celebrated voices for Mozart’s operas, as well as Baroque repertoire. Already in her short career, she has performed at important international theatres such as La Scala in Milan, La Fenice Theater in Venice, and the opera houses of Zurich, Berlin, and the Salzburg {…}