Stage Reviews
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Opera Babies – Phelim McDermott & Lliam Paterson’s ‘BambinO’ Comes to the Metropolitan Opera
Teatro La Fenice 2017-18 Review – Signor Bruschino: Rossini Farce Gets Solid, If Not Overly Exciting, Revival
Gran Teatre del Liceu 2017-18 Review – Demon: The Devil’s In The Detail – Or Lack Thereof.
Metropolitan Opera 2017-18 Review – Roméo Et Juliette: Ailyn Pérez, Charles Castronovo, Plácido Domingo & Co. Deliver Darker, Heavier Interpretation of Gounod Opera
Opera Omaha ONE Festival 2017-18 Review: ‘Medea’ and Contemporary Ideas Combine for Intriguing Overall Concept
Teatro Regio Torino 2017-18 Review – I Lombardi: Angela Meade & Francesco Meli Sparkle In Early, But Underdeveloped Verdi Opera
Carnegie Hall 2017-18 Review: Lawrence Brownlee Bares All With New York Premiere of “Cycles of My Being”
Usedomer Musik Festival 2018 Review – Jakub Jósef Orliński Gives a Bravura Baroque Recital Minus Bboy Boomerangs
Kirker Music Festival on Lake Como 2018 Review: Benjamin Appl Sings a Celestial Liederabend in Arcadian Italy.
Manhattan School of Music 2017-18 Review – La Cenerentola: A Solid Production Featuring Aspiring Talent Through & Through
