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Stage Reviews

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May 16, 2018

Philadelphia Orchestra 2017-18 Review – Tosca: Yannick Nézet-Séguin Ends Season With Rousing Symphonic Take on Puccini Classic

May 16, 2018

Opera Di Roma 2017-18 Review – Billy Budd: Company Premiere of Britten Masterwork Given Pitch-Perfect Production

May 14, 2018

Long Beach Opera 2017-18 Review – The Love Potion: A Wonderful Production & Team Engages In Enchanting Experience

May 13, 2018

Staatsoper Berlin 2017-18 Review – King Arthur: A Highly Imaginative Take on the Purcell Work

May 12, 2018

New York Opera Fest 2018 Review – Tabula Rasa: Jarrar-Goodwin Team Transcends Genre with New Work

May 11, 2018

Rose Theater, Jazz at Lincoln Center 2018 Review – Orphic Moments: Matthew Aucoin‘s Cantata Enriches Orpheus Myth

May 10, 2018

Teatro La Fenice 2017-18 Review – L’Elisir d’Amore: Irina Dubrovskaya and Leonardo Cortellazzi Put On Striking Displays in Donizetti Masterpiece

May 9, 2018

Carnegie Hall 2017-18 Review: A Beacon in the Dark – Dashon Burton and Company Captivate With World Premieres of “We Are One” and “Sanctuary Road”

May 8, 2018

Deutsche Oper Berlin 2017-18 Review – Un Ballo in Maschera: Anja Harteros Shines Brightest At The Ball

May 4, 2018

Vienna State Opera 2017-18 Review – Andrea Chénier: Jonas Kaufmann Shines, But Another Star Is Brighter

May 4, 2018

National Sawdust 2018 Review – The Secret Diary of Nora Plain: An Immersive Experience That Explores Surveillance & The Inner Mind

May 4, 2018

Bohemian National Hall 2018 – Master-Pieces: Petr Kotik Opera Is An Intense & Thought-Provoking Experience

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