May 16, 2018 Philadelphia Orchestra 2017-18 Review – Tosca: Yannick Nézet-Séguin Ends Season With Rousing Symphonic Take on Puccini Classic
May 16, 2018 Opera Di Roma 2017-18 Review – Billy Budd: Company Premiere of Britten Masterwork Given Pitch-Perfect Production
May 14, 2018 Long Beach Opera 2017-18 Review – The Love Potion: A Wonderful Production & Team Engages In Enchanting Experience
May 13, 2018 Staatsoper Berlin 2017-18 Review – King Arthur: A Highly Imaginative Take on the Purcell Work
May 12, 2018 New York Opera Fest 2018 Review – Tabula Rasa: Jarrar-Goodwin Team Transcends Genre with New Work
May 11, 2018 Rose Theater, Jazz at Lincoln Center 2018 Review – Orphic Moments: Matthew Aucoin‘s Cantata Enriches Orpheus Myth
May 10, 2018 Teatro La Fenice 2017-18 Review – L’Elisir d’Amore: Irina Dubrovskaya and Leonardo Cortellazzi Put On Striking Displays in Donizetti Masterpiece
May 9, 2018 Carnegie Hall 2017-18 Review: A Beacon in the Dark – Dashon Burton and Company Captivate With World Premieres of “We Are One” and “Sanctuary Road”
May 8, 2018 Deutsche Oper Berlin 2017-18 Review – Un Ballo in Maschera: Anja Harteros Shines Brightest At The Ball
May 4, 2018 Vienna State Opera 2017-18 Review – Andrea Chénier: Jonas Kaufmann Shines, But Another Star Is Brighter
May 4, 2018 National Sawdust 2018 Review – The Secret Diary of Nora Plain: An Immersive Experience That Explores Surveillance & The Inner Mind
May 4, 2018 Bohemian National Hall 2018 – Master-Pieces: Petr Kotik Opera Is An Intense & Thought-Provoking Experience