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Stage Reviews

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May 26, 2018

Vienna State Opera 2017-18 Review – Capriccio: A Win for the Words When Music Misses The Mark

May 23, 2018

Tiroler Landestheater 2018 Review – Rienzi: While Uneven Musically, Johannes Reitmeier Presents Timely & Relevant Interpretation of Neglected Wagner Work

May 23, 2018

Salzburg Whitsun Gala Konzert 2018: Jonas Kaufmann & Cecilia Bartoli Deliver Rossini & Wagner Goods Of Highest Order

May 22, 2018

Whitsun Festival Salzburg 2018 Review – L’Italiana in Algeri: Cecilia Bartoli Stars & Leads The Way In Rossini Comedy

May 22, 2018

Regina Opera Company 2017-18 Review – Aida: Company Breaks New Ground with Heartfelt Production

May 21, 2018

Komische Oper Berlin 2017-18 Review – Eugene Onegin: Barrie Kosky’s Rendition of Tchaikovsky Masterwork Destined to Be Remembered Forever

May 20, 2018

Barbican Theater 2018 Review: Jonas Kaufmann Is Otherworldly In Strauss’ ‘Four Last Songs’

May 19, 2018

Vienna State Opera 2017-18 Review – Samson et Dalila: Despite Solid Turns From Roberto Alagna and Elina Garanca, Modern Makeover of Classic Bible Story Goes Up In Flames (Literally)

May 19, 2018

Teatro La Fenice 2017-18 Review – Norma: Soprano Mariella Devia Reigns Supreme In Final Staged Production

May 19, 2018

Deutsche Oper Berlin 2017-18 Review – Rigoletto: Zeljko Lucic To The Rescue In Muddled Jan Bosse Production

May 19, 2018

Semperoper Dresden 2017-18 Review – La Forza del Destino: Mark Wigglesworth’s Music Making Overcomes Uneven Leads in Unique Production

May 16, 2018

Philadelphia Orchestra 2017-18 Review – Tosca: Yannick Nézet-Séguin Ends Season With Rousing Symphonic Take on Puccini Classic

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