Carnegie Hall. Name a musician who doesn’t dream of performing there. It is the benchmark for greatness in the world of music with tons of myths revolving around succeeding there. Soprano Laura Alonso Padin is set to cross that threshold when she makes her solo recital debut in Weill Hall. “I have done work with the Dallas Symphony, an opera {…}
For years Angela Gheorghiu has been one of the reigning divas in the opera world. Her interpretations of roles like “La Traviata,” “Adriana Lecouvreur” and “Tosca” have been sought after by every major theater and she has been hailed as one of the great sopranos of our time. She collected numerous awards for her musical accomplishments, including an honorary doctorate, {…}
Karine Babajanyan is well known for her wide-ranging repertoire in the lirico-spinto fach, performing the works of Verdi and Puccini and many of the Verismo composers. She has particularly become well-known for her interpretations of “Madama Butterfly,” “Tosca,” “Aida,” Amelia in “Un Ballo in Maschera” and has travelled to many of the leading theaters including the Berlin Staatsoper, the Hamburg Staatsoper, {…}
From November 4th – 12, Pittsburgh Opera will be performing Mozart’s comedic opera “The Marriage of Figaro.” This production will feature not only many of Pittsburgh Opera’s veteran performers, but a number of singers making their debuts with the company, such as bass-baritone Tyler Simpson in the role of Figaro, and soprano Joelle Harvey in the role of Susanna. OperaWire {…}
Music was always a major part of bass-baritone Wayne Tigges’ youth. As the youngest of 10 kids, his father was part of a professional barbershop quartet and the majority of his family members were singers in one way or another. The young Tigges was also a lead singer in a heavy metal band called Aftershock. From there he would eventually {…}
Most countertenors make their careers out of singing traditional baroque repertoire. The voice type, so popular during the art form’s formative years, was extremely popular in its day with the major composers assigning leading roles to the countertenor. But that is no longer the case today, the countertenor is seen more as a novelty than a bonafide fixture in the {…}
Over the past years, Ellie Dehn has received critical acclaim for her exceptional performances at the Metropolitan Opera, Teatro alla Scala, Royal Opera House, Bayerische Staatsoper, San Francisco Opera, Los Angeles Opera, and Houston Grand Opera among other theaters. Dehn has also been hailed for her versatility in repertoire and as also emerged as a specialist in works by Mozart. {…}
Soprano Lisette Oropesa is one of the most exciting artists in the world. At just 34, the New Orleans native has already had a storied career, winning the Metropolitan Opera National Council Auditions at the age of 22, rising through the ranks of the Met Lindemann Young Artist Program, and then going on to sing at all the major houses {…}
American baritone Brian Mulligan has become sought out by the world’s leading opera houses and orchestras, singing a unique variety of repertoire from works by Argento, Meyerbeer, Puccini, Spears, Verdi and Wagner. Throughout the past few years, Mulligan has appeared at the San Francisco Opera, Wiener Staatsoper, the Metropolitan Opera, Opernhaus Zürich, Lyric Opera of Chicago, Houston Grand Opera and Oper {…}
Over the past year, María José Siri’s career has skyrocketed from opening the Teatro alla Scala in a new production of “Madama Butterfly” to premiering a new production of “Manon Lescaut” at the Teatro Regio di Torino. This past month she was also called to make another high-profile opening at the Vienna State Opera in “Il Trovatore.” Since then she {…}
“To see the elephants. The lights. The action. I was sold. I didn’t understand why I had to go to school because I knew what I wanted right away. I thought it was the most amazing magical night ever.” That was mezzo-soprano Tara Erraught’s description of her first ever experience at the Arena di Verona as a 13-year-old. The Dundalk, {…}