(Credit: Sim Canetty-Clarke) Few tenors today have the Wagnerian pedigree that Stuart Skelton has. The Australian tenor, who has taken on pretty much every major role by the master of Bayreuth, has opened major productions of Wagner’s operas around the world. In the midst of his recent production of “Die Walküre” at the Teatro Real de Madrid, Operawire had an {…}
(Credit: Candy Welz) Soprano Camila Ribero-Souza was born in São Paulo, Brazil, where she studied singing with Jocelyne Gallo, Edilson Costa, and Luiz Tenaglia. From March 2011 until January 2018, she was a member of the soloist ensemble of the Meininger Staatstheater. In February 2018, as a spinto soprano, she joined the ensemble at the Deutsches Nationaltheater Weimar, where she {…}
(Credit: Yan Bleney) Soprano Nicole Car and Étienne Dupuis do not like to be apart. The two stars, who are currently at the Metropolitan Opera individually taking on two thirds of the Da Ponte and Mozart trilogy, not only share a home, a two-year-old boy, and as many productions as they can, but this very interview. When it was proposed {…}
Debuting at the Metropolitan Opera is a hard gig to come by, especially when it’s a principal role in a new production in an opera that’s never even been performed on the Met stage. But after a decade of singing leading roles all over the world, American soprano Brenda Rae is readier than ever to tackle New York’s biggest stage, {…}
On Feb. 5, 2020, soprano Hanna-Elisabeth Müller returned for a run of performances in this season’s production of Mozart’s “Le Nozze di Figaro” at the Metropolitan Opera. This will be her third opera with the company, after making her debut in 2017 in Beethoven’s “Fidelio” and subsequent performances of “Die Zauberflöte.” Müller came to international fame in 2014, performing the {…}
(Credit: S. Richards) The album has always been a touchstone of any musician. It is an opportunity to preserve an artistic development and legacy in a manner that enables listeners of the past and present to connect with the artist in an intimate way. In the past, major recording companies dominated the industry, proving to be the gatekeepers of which {…}
(Photo: Frank Wartenberg) Last December OperaWire reviewed an impressive production of Vivaldi’s “La Fida Ninfa” at the repertory theatre in Regensburg. In the central role of Morastro was the young German-Spanish soprano Sara-Maria Saalmann, whose performance was dramatically intense, but beautifully sung. Working for a repertory company often means a heavy and varied schedule, yet Saalmann is still keen to {…}
(Photo: Dario Acosta) Mezzo-soprano Susan Graham has had an enviable career, winning such prestigious awards as a Grammy, an Opera News Award, and Musical America’s Vocalist of the Year. As a champion of the French repertoire, the French government honored her with the title of “Chevalier de la Légion d’honneur.” Her roles span four centuries, singing in operas from Monteverdi’s {…}
(Credit: Rosetta Greek ) In 2017, Kate Lindsey released her first album “Thousands of Miles.” The album was comprised of songs by Kurt Weill and was a cross between classical music and Broadway. It was an experience that helped explore her voice and her technique in ways that she had never expected to and which posed new challenges that made {…}
(Credit: John Hardy) Back in early April 2019, the Opera San José Board of Directors announced that Khori Dastoor would be taking over as General Manager. The announcement was the culmination of a unique relationship that saw Dastoor rise from performer to manager in just a little over a decade. Irene Dalis’ Call Back in 2007, Dastoor was a soprano {…}
Baritone Željko Lučić was born in Serbia, in a small town of Zrenjanin, northeast of the capital Belgrade. For anyone familiar with the looks of historical small towns in the countries of the Western Balkan, this is a significant fact. “Yes, my hometown is indeed a small one, but also an absolutely wonderful place,” Lučić, smiling, told OperaWire in a recent {…}