Q & A : Dingle Yandell on Digital Opera & Popular Music Videos With ‘What Power Art Thou’

(Credit: Zen Grisdale) The Orchestra of the Age of Enlightenment (OAE) is actively creating new life in the digital realm of opera by evolving the genre’s traditional standards and exploring alternate creative interpretations to share with audience members at a broader level through a new series called “music video remake” films. The aesthetic concept underlying OAE’s recent film which features bass-baritone {…}

Q & A: Baritone Keith Phares on Recording ‘Prince of Players’ & the Challenges of COVID-19

Baritone Keith Phares, renowned as a master of a wide repertoire ranging from Mozart through to today’s most prominent composers, has been recognised as “an authentic contemporary-American-opera divo” in the media. Recently, in this year’s Grammy Awards, he shined as nominee for Best Opera Recording for his soloist role in Carlisle Floyd’s “Prince of Players.” This was a recording of {…}

Q & A: Luca Pisaroni on Why His ‘Personal Idea of Hell is Repeating the Same Thing’

(Credit: Chris Singer) In Gramophone’s Opera recording of the year, Handel’s “Agrippina” with Erato Records, there are many shinning vocal performances, including those by Joyce DiDonato, Marie-Nicole Lemieux, Franco Fagioli, and Luca Pisaroni, to name but a few. Luca Pisaroni wows the listener in the role of the bumbling Emperor Claudio. Pisaroni is perhaps best-known these days for his work {…}

At Home With… Bass Brindley Sherratt in the Surrey Hills

(Photo credit: Frances Marshall) “At Home With… ” is a series collaboration between OperaWire and photographer Frances Marshall of Marshall Light Studio, combining original photography with insightful interviews. Between New York City and the stunning scenery of England’s Surrey Hills, a rumble like a temblor traveled across the Atlantic. On the Surrey side was the renowned bass, Brindley Sherratt. After the {…}