(Credit: Steven Pisano) In 2018 the Teatro Nuovo was created to continue the legacy of Bel Canto at Caramoor and to propagate the exploration of neglected Bel canto and Italiana operas. At the head of the new company is Will Crutchfield, the artistic and general director. A conductor, musicologist, and educator, Crutchfield has been dedicated to exploring and conducting over {…}
(Photo: Arielle Doneson) Soprano Jennifer Zetlan is a singer known for her enthusiasm for contemporary opera. She has been featured in at least nine premieres of American operas, and created roles in two world premieres, the Messenger in Matthew Aucoin’s “Crossing,” and Fanny in Ricky Ian Gordon’s “Morning Star.” Alongside Zetlan’s passion for new opera, her vocal agility enables her {…}
(Credit: Theresa Pewal) When audiences check out Monteverdi’s “L’Orfeo” on July 5 and 7, 2019 at the York Early Music Festival and LOS St. Luke’s London, they will see the iconic opera utilizing puppetry and ancient Greek theatrical techniques. Developed under director Thomas Guthrie, with the cooperation of students at Princeton University, these techniques will showcase one of the Guthrie’s {…}
(Credit: Natalia Munro) New York opera audiences will have another opportunity to encounter one of Francis Poulenc’s works after “Dialogues des Carmélites” finished off the Met Opera season to the acclaim of audiences and critics alike. The U.S. debut of the Spanish production of “La voix humaine (“The Human Voice”),” directed by Antón Armendariz Diaz, and starring soprano Ashley Bell and {…}
It was March of 2018 and New York City Opera General Manager Michael Capasso wanted to make a big statement with his 2019 season. The 50th anniversary of the Stonewall riots would take place in 2019 and it was the perfect opportunity for New York City Opera, which has championed operas about the LGBTQ+ community over the last few years, {…}
Two years ago, Benjamin Bernheim was a young artist performing light tenor roles and preparing to make the jump to some of the most important lyric operas in the repertory. He was an unknown and was still a member of the Opernhaus Zurich. But he had a perspective of where he wanted to be. “I knew I wanted to sing {…}
(Photo Credit: Askonas Holt Management) After making a strong first impression with his debut in a new production of Prokofiev’s “Betrothal in a Monastery” at the Staatsoper Unter den Linden, Berlin and looking forward to his Met Opera debut in October for the 2019-20 season in the role of Schaunard in Puccini’s “La Bohème,” Andrey Zhilikhovsky returns to Glyndebourne for the {…}
This year’s schedule for Innsbruck’s Early Music Festival includes three operas from the baroque period: “La Dori” by Antonio Cesti; “Merope” by Farinelli’s brother, Riccardo Broschi, and “Ottone” by Handel. Over the next few weeks Operawire will be interviewing the three directors responsible for the staging of the operas. Cesti’s “La Dori” was written in 1657, for the Court in {…}
Baritone Peter Schöne has enjoyed a solid international opera career at over 20 opera houses around the world, including the Komische Oper Berlin where he made his debut in “Greek” back in 2002. And now he will add to his list of operatic exploits when he performs his first opera in the UK this June in “The Hunting Gun.” The {…}
