Q & A: Conductor Steven Fox on the Clarion Choir, ‘Judas Maccabeus’ & Live Performances

On Dec. 1, the Clarion Choir and Clarion Orchestra will join forces for a free concert with Isabel Leonard and Anthony Roth Costanzo to perform a suite from “Judas Maccabeus” at historic Temple Emanu-El in celebration of Hanukkah. The program will also include arias, duets, and choruses from Händel’s “Esther,” “Israel in Egypt,” and “Rodelinda.” OperaWire had a chance to {…}

Q & A: Jade Phoenix on her Experience with Wexford Festival Opera’s Factory & on her Debut as Giulietta

One of the successes of this year’s Wexford Festival Opera was undoubtedly the Wexford Factory, a program of masterclasses introduced by the festival’s artistic director Rosetta Cucchi aimed at developing young talent. The participants are also given the opportunity to sing in an opera on the main stage during the afternoon, replacing the 60 to 90 minute opera short productions, {…}

Q & A: Soprano Elise Caluwaerts On Her Love For Mozart, Alma Mahler’s Songs and The Future of Opera

(Credit: Lalo Gonzalez) Elise Caluwaerts simultaneously studied at the conservatories of Antwerp with Lucienne Van Deyck (classical singing) and Brussels (early music), followed by the Royal Conservatory in The Hague, where she graduated cum laude with Diane Forlano. She took master classes with Peter Kooij, Elly Ameling, David Wilson Johnson, Jozef De Beenhouwer and Gemma Visser. She also coached in {…}

Q & A: Gerald Finley & Susan Bullock on Theatre of Sound’s ‘Bluebeard’s Castle’

(Credit: Sim Canetty Clarke/ Christina Raphaelle) Gerald Finley and Susan Bullock are two world-class artists who have performed at all the major opera stages the world over. Collectively, they have appeared at The Metropolitan Opera, the English National Opera, the Royal Opera House Covent Garden, Wiener Staatsoper, Canadian Opera Company, Carnegie Hall, Opera North, La Scala, Sydney Opera, La Monnaie, {…}

Q & A: Amy Crankshaw on Pauline Viardot, ‘Cendrillon’ & Orchestrating the Iconic Work

On Nov. 1, 2021, Guildhall School’s Opera will present a double bill of Bizet’s “Le Docteur Miracle” and Pauline Viardot’s “Cendrillon.” The production will fulfill Viardot’s desire with a new chamber orchestration by Amy Crankshaw, Guildhall doctoral composer and a graduate of the school’s MA Opera Making & Writing program presented in an association with the Royal Opera House. The {…}