Italian soprano Roberta Mameli recently finished a run of performances in the title role of Monteverdi’s “L’incoronazione di Poppea,” a part which lies close to her heart. OperaWire met up with her for a short chat to find out more about the person behind the voice. OperaWire: What was the first opera you saw? Roberta Mameli: I was seven or {…}
Having seen soprano Jana Šrejma Kačirková’s splendid performance as Ellen Orford in “Peter Grimes” at the Brno Opera, OperaWire took the opportunity to find out more about her with a short, light-hearted interview. In November, she will be performing as Rusalka in this year’s Brno Janacek festival, which OperaWire shall also be covering. OperaWire: What is the next opera you {…}
Each year The Haydn Foundation schedules a short opera program consisting of three or four works, performed in theaters in the northern Italian region of Trentino-Alto Adige. What makes it stand out from the usual opera season is its commitment to staging contemporary works. This year it is performing two new works, the first of which is “Lorit – A {…}
In 2015, Opera Colorado appointed its first-ever Music Director, Ari Pelto. For the last eight years, he has been widely celebrated with the company conducting a wide array of repertoire and bringing the company’s artistic powers to the fore. He has also been in demand at opera houses and concert halls throughout the United States at the Spoleto Festival, Lyric {…}
(Photo: Laurent Guizard) Soprano Roberta Mameli has a voice that immediately makes an audience sit up and take notice. The fact that she is not even more well-known than she is currently, is no doubt down to the fact that she tends to specialize in baroque and, to a lesser extent, Mozart, with only occasional forays into other repertoire. Hers {…}
(Photo: Murphy Made) Acclaimed coloratura soprano Meghan Picerno is the recipient of several awards in the field of opera, including first-place prize at the Arkadi International Vocal Competition at New York Lyric Opera. She was also a quarterfinalist in Plácido Domingo’s Operalia International Vocal Competition at the Royal Opera House. But Ms. Picerno’s star truly began to rise after her {…}
An emphasis on mental and physical wellness has become increasingly prevalent in modern day society. And yet in the arts, one might argue that there is still plenty to go before it becomes the norm in the day to day workings of its employment structures. Brian Festa is aiming to change all that. With his program at San Diego Opera, {…}
Called “one of the most promising stars on the 21st opera scene” by WQXR/Q2’s Olivia Giovetti, David T. Little has made his mark on the art form in quite a few ways. He has six operas to his name of his “Dog Days” was commissioned by Carnegie Hall and Beth Morrison Projects and has received performances not only at the {…}
The French baritone Ludovic Tézier has performed worldwide at the most notorious opera houses like the Met, Royal Opera House, Paris Opera, Wiener Staatsoper. He also appears in many opera CDs and DVDs. He is one of the most renowned and in-demand baritones sing today. OperaWire spoke with Teezier during a run of performances of a new production of Verdi’s {…}