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Stage Reviews

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Oct 22, 2017

Amore Opera 2017-18 Review – Tosca: Jose Heredia and Dilara Unsal Ozkan Prove Themselves a Power Couple

Oct 22, 2017

Metropolitan Opera 2017-18 Review – Norma: Marina Rebeka Makes Powerful Impression Alongside Joyce DiDonato, Joseph Calleja in New Met Production

Oct 19, 2017

Metropolitan Opera 2017-18 Review – Turandot: James Morris Tribute Takes Centerstage in Overall Uneven Performance of Puccini’s Final Masterpiece

Oct 18, 2017

Deutsche Oper Am Rhein 2017-18 Review – La Cenerentola: Winning Ensemble Cast in Classic Ponnelle Production Remains Pleasing to Audiences

Oct 16, 2017

Oper Köln 2017-18 Review – Tannhäuser: Pomeroy Shines in Production Memorable For Creative Use of Converted Space

Oct 12, 2017

Metropolitan Opera 2017-18 Review – La Bohème: Angel Blue Triumphs in Truly Engaging Revival of Puccini Classic

Oct 11, 2017

Opéra National De Paris 2017-18 Review – Don Carlos: Jonas Kaufmann, Elīna Garanča, Sonya Yoncheva & Company Deliver Performance For the Ages

Oct 11, 2017

Teatro dell’Opera di Roma 2017-18 Review – Fra Diavolo: Great Singing & Production Marry Comedy & Drama Seamlessly

Oct 10, 2017

Review: Sabine Devieihle Makes a Shimmering NYC Debut

Oct 9, 2017

Pittsburgh Opera 2017-18 Review – Tosca: Leah Crocetto Triumphs In Her First Tosca

Oct 8, 2017

Bayerische Staatsoper 2017-18 Review – Così Fan Tutte: Eye-Catching Couples, Comedy and Camaraderie Display Mozart’s Magic

Oct 2, 2017

La Fenice 2016-17 Review – Cefalo e Procri: Solid Production Concept & Team Revives Underdeveloped Work

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