The Chautauqua Opera Company 2017 Review – L’Orfeo: Respighi’s Orchestration of the Monteverdi Masterwork Asserts the Power of Music

“L’Orfeo” debuted in 1607, as Capt. John Smith sailed across the Atlantic to found a settlement in Jamestown, Virginia. It is the oldest opera in the repertoire. So for it to have an American premiere of any sort in 2017 is remarkable. But on Saturday, July 8th, 2017, the Respighi orchestration of Monteverdi’s version of the tale of Orpheus and {…}

Teatro La Fenice 2017 Review – La Sonnambula: A Risk-Taking Diva & Production Elevate Bellini’s Musical Genius

Bellini’s pastoral opera “La Sonnambula” made a welcome return to La Fenice, in a revival of Bepi Morassi’s 2012, widely-acclaimed production. In this outing, conducted by Fabrizio Maria Carminati, Irina Dubrovskaya played the role of Amina, with Shalva Mukeria as Elvino and Roberto Scandiuzzi as Rodolfo. The minor roles were undertaken by Julie Mellor as Teresa, Silvia Frigato as Lisa {…}

Des Moines Metro Opera Review 2017 – Billy Budd: Zachary James Illuminates Britten Masterwork With His Own Masterpiece Interpretation

If you surveyed the most recent 1,000 opera reviews, “testosterone” would not be one of the top hits. Unless you were Googling the Des Moines Metro Opera’s new production of “Billy Budd,” which promises to be the hit of its 45th season. Energized by the transformative performance of Zachary James as the “villain” John Claggart, this story is about much {…}

Royal Opera House Review 2016-17 – Otello: Jonas Kaufmann Cements His Legacy As One of History’s Great Otellos

Jonas Kaufmann has been hailed as the greatest tenors alive and is one of the most exciting performers currently working today. So it was no surprise that he would one day take the iconic role of Verdi’s “Otello.” There were many doubters regarding his availability (or ability) to master the role, especially after many high-profile cancellations due to illness. However, {…}