Drawing upon one of the most beloved of Christmas stories, Gramercy Opera has captured a gem of the holiday spirit with its production of “Dickens’ A Christmas Carol – The Opera.” Staged in the historic Montauk Club of Brooklyn, built only 45 years after the original publication of Dickens’ story, audiences will feel as though they have stepped through a {…}
“Matters of consequence” – that’s “The Little Prince” all over, and Rachel Portman’s opera version of the remarkable book by Antoine de Saint-Exupéry lacks none of them. From the magical appearance of the titular Little Prince from Asteroid to his magical disappearance at the curtain, Opera Parallèle’s 2017 production in San Francisco brings both the beauty and high-seriousness of the story {…}
La Fenice opened its 2017-18 season with an interesting and courageous production of Verdi’s “Un Ballo in Maschera,” a production which under the direction of Gianmaria Aliverta aimed at producing a deeper reading of the work, one which sought to uncover the underlying structural political conflicts that led to the assassination of a political leader. Verdi and his librettist, Antonio {…}
There have been a good number of performances of “The Pearl Fishers,” or “Les Pêcheurs de Perles,” around the country in recent years. Peggy Woolcock’s English National Opera production was seen at the Metropolitan Opera and LA Opera while the late Lee Blakely’s version was in Santa Fe’s 2012 season. The production viewed in probably the most locales is one {…}
A performance of Verdi’s Requiem is a rather rare event at the Metropolitan Opera. That a run of the famed mass is currently underway with the company comes down to the fact that a proposed production for another opera was canceled. But the timing could not have been better. With the unfortunate passing of baritone Dmitri Hvorostovsky, the Met was {…}
What better way to celebrate America in the midst of moral decay? What better offering than a paean to the quest for independence, human dignity, the chance for actual freedom? Meet “Girls of the Golden West,” John Adam’s brand new opera, given its world premiere last night in San Francisco. A collaboration with the renowned artist and visionary, Peter Sellars, {…}
For years Dmitri Hvorostovsky was one of the leading interpreters of “Rigoletto” around the world. And while there are many baritones in the modern era that have successfully realized one of the most complex characters of the Verdi canon, few navigated the emotional turmoil quite the way the great Russian baritone did. He brought crudeness and ugliness to his vocal {…}
Despite fall’s chill blanketing Manhattan, opera-goers are delighting in the light-hearted comedy in Juilliard’s production of Mozart’s “La Finta Giardiniera.” Composed when he was just shy of turning 19, Mozart indulges in the fiery emotions that stir a garden party, gathered at the house of a small-town mayor. The opening scene reels in the listener while two maids whisper about {…}
The beauty of Puccini’s “Madama Butterfly” could render any critique almost unseemly. After all, to hear that seamless music, the moments that turn transcendent — and then to cavil? I’d suggest that even a modest performance, say, even in the dense rainforest (echoing, of course, Werner Herzog’s “Ftizcarraldo”) would still, inevitably, move one. The score simply flows, with audience and performers {…}