Opéra Royal Versailles 2023 Review: Armide

I’m always struck by the story of “Armide.” The drama of the ancient sorceress is simultaneously transcendent and humane. The opera, after Torquato Tasso’s “Jerusalem Delivered,” ponders the prickly relationship between affect and politics, leading to the one-million-dollar question: Is his love enough? Or, even better: Is love enough? Philippe Quinault’s libretto contraposes the idea of freedom with lovelessness. Renaud’s {…}

St. John’s in the Village 2023 Review: Felix Jarrar & Friends ‘Off with His Head’ – ‘Roberto Devereux’

Gaetano Donizetti’s “Roberto Devereux,” though not performed with any regularity, showcases the composer’s masterful ability to capture the characters’ raw emotions through stunning music. Salvadore Cammarano crafted the Italian libretto, drawing inspiration from François Ancelot’s tragedy “Elisabeth d’Angleterre” (1829) and Jacques Lescène des Maisons’ “Historie secrete des amours d’Elisabeth et du comte d’Essex” (1787). Devereux also served as the focus {…}