Metropolitan Opera Review 2016-17 – Fidelio: Beethoven’s Ode to Women Celebrated With Stunning Cast & Production
I preface this by stating that this review is for the performance on March 24, 2017. I would also like to recognize that this is just one, performance of a seven-performance run. In an ideal situation, I would attend every performance and write a detailed review of the overall work. As it stands, I can only go on my perspective of one performance. 2017 has been the year of {…}