A year ago, the name Ryan Speedo Green might not be quite the household name that it has become. The bass, born on April 1, 1986, has had a whirlwind of a year. From his high-profile turn at the Metropolitan Opera in “La Bohème” to the release of “Sing for Your Life: A Story of Race, Music and Family,” a {…}
I preface this by stating that this review is for the performance on March 24, 2017. I would also like to recognize that this is just one, performance of a seven-performance run. In an ideal situation, I would attend every performance and write a detailed review of the overall work. As it stands, I can only go on my perspective of one performance. 2017 has been the year of {…}
It’s been 11 years since the Metropolitan Opera has performed Verdi’s “La Forza del Destino,” one of the composer’s late masterpieces and one that requires an ensemble of experienced singers who have the force to take on the composer’s demanding music. As a result, it is rarely performed around the world and for that reason, New York audiences have waited {…}
I preface this by stating that this review is for the performance on March 20, 2017. I would also like to recognize that this is just one performance of a six-performance run. In an ideal situation, I would attend every performance and write a detailed review of the overall work. As it stands, I can only go on my perspective of one performance. A few months ago, I wrote about {…}
As Renee Fleming entered from stage right, she garnered a low wave of astonishment from her shimmering silver dress and matching blue shimmering shawl. Taking to the podium, she began to explain that for many aspiring singers, the results of the Metropolitan Opera National Council Auditions competition would propel their careers. For her, it took 3 times before winning (she even {…}
This Post is for the performance on March 18, 2017. For audiences expecting a normal night out to see cabaret sung by the usual voice types, this was no such night. The SubCulture, an underground performance venue near the East Village, was presenting an evening of musical theater composer, Jason Robert Brown (Tony-award winning composer of Parade and Bridges of Madison {…}
This past Thursday night, the NYC Choral Society gave their yearly gala, once again at one of Manhattan’s finest social clubs, The Metropolitan Room, a former men’s only club on 5th Av. kitty-corner the Plaza Hotel. Each year the NYCHORAL performs concerts of their own ranging from baroque, Christmas, and contemporary music and are regularly part of the famed Richard {…}
On New Year’s Eve, the Metropolitan Opera opened a new production of Gounod’s “Roméo et Juliette.” The result was a mixed bag with two bright stars heading the cast. The production was a dreary classically fitted take that lacked clarity of vision and ultimately dragged the show. After a few months, the Met has revived the production with better results. {…}
This review is for the premiere on opening night of the run, March 6, 2017. Mozart’s “Idomeneo” has accrued quite the history at the Met since its premiere in 1982. It has been sung by major singers that include the likes of Plácido Domingo, Luciano Pavarotti, Ileana Cortrubas, Hildegard Behrens, Frederica Von Stade and Carol Vaness among many others. Safe {…}