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Reviews

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Oct 1, 2017

Carnegie Hall 2017-18 Review: José Carreras Retires with Gusto

Sep 30, 2017

Lyric Opera of Chicago 2017-18 Review – Orphée et Eurydice: Collaboration With Joffrey Ballet Showcases Neumeier’s Vision in a Season Opener to Remember

Sep 29, 2017

Metropolitan Opera 2017-18 Review – Les Contes d’Hoffmann: Vittorio Grigolo Leads a Hilariously Entertaining Evening

Sep 29, 2017

Metropolitan Opera 2017-18 Review – Die Zauberflöte: James Levine Leads a Solid Cast in Mozart’s Enigmatic Masterpiece

Sep 26, 2017

Metropolitan Opera 2017-18 Review – Norma: Opening Night is a Triumph for Sondra Radvanovsky

Sep 25, 2017

Utopia Opera 2017 Review – Hydrogen Jukebox: An Illuminating Experience From Two of the Greatest Artists of the 21st Century

Sep 25, 2017

On Site Opera 2017 Review – Rhoda and the Fossil Hunt: A Fun Opera About the Imagination of Science

Sep 21, 2017

Vienna State Opera 2017-18 Review – Khovanshchina: Satisfaction on An Epic Scale

Sep 19, 2017

Editorial: Enough with the Dead White Men in New Opera

Sep 18, 2017

Vienna State Opera 2017-18 Review – Salome: Vocal Brilliance Throughout, If Not a Complete Package

Sep 15, 2017

San Francisco Opera 2017-18 Review: Christine Goerke Is Powerful In San Francisco’s ‘Elektra’

Sep 14, 2017

San Francisco Opera 2017-18 Review – Turandot: A Real Fairy Tale in the Bay Area Led by Martina Serafin & Brian Jagde

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