Reviews
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Utah Opera 2017-18 Review – Moby Dick: Jake Heggie’s Masterwork Soars In Solid Production
Editorial: Is It Time To Change How Opera Reviews Are Done? And Is It Possible?
Royal Opera House Muscat 2017-18 Review: La Sonnambula: Rosa Feola Triumphs As Famed Bellini Heroine
Teatro dell’Opera di Roma 2017-18 Review – I Masnadieri: Roberta Mantegna, Artur Rucinski Dominate in Brilliant But Bleak Production By Massimo Popolizio
Deutsche Oper Berlin 2017-18 Review – Carmen: Clémentine Margaine & Charles Castronovo Gutted By Director Obsessed With Human Organs & Vivisections
Teatro La Fenice Review 2017-18 – La Metamorfosi di Pasquale: Two Solid Leads Can’t Save Mediocre Work By Young Spontini
Metropolitan Opera: 2017-18 Review – L’Elisir D’Amore: Polenzani Leaves Audience Drunk on Love
Prague National Theatre 2017-18 Review – Billy Budd: Britten Masterwork Capsizes In a Sea of Questionable Direction
The Broad Stage Review 2018: Jonas Kaufmann’s Musical Genius Comes to Fore in Schubert’s ‘Die Schöne Mullerin’
Royal Opera House 2017-18 Review – Tosca: Pieczonka, Calleja, Finley Don’t Quite Mesh in Revival of Jonathan Kent’s Classic Produciton
