Jun 26, 2018 Opera Theatre of St. Louis 2018 Review – Orfeo and Euridice: Johnson Cano Stellar in Probing Gluck’s Mythical Vision of Love
Jun 26, 2018 Waldebuehne 2018 Review: Magdalena Kozena Dazzles Alongside Sir Simon Rattle & Berlin Philharmonic
Jun 25, 2018 Opera in the Ozarks 2018 Review – Die Fledermaus: A Formidable Cast Enlivens Strauss Jr.’s Famed Masterwork
Jun 21, 2018 Opéra National de Paris 2017-18 Review – Il Trovatore: Sondra Radvanovsky & Anita Rachvelishvilli Shine In Overindulgent Production
Jun 21, 2018 Palazetto Bru Zane 2018 Festival Review: Gounod Gala Is A Goldmine of Hidden Operatic Gems
Jun 20, 2018 Vienna Philharmonic 2017-18 Review: Elina Garanca Takes Us On A Transcendent Journey With Mahler
Jun 20, 2018 Palacio de Bellas Artes 2018 Review – El Juego De Los Insectos: Ibarra’s Opera Features A Fascinating Vision That Could Still Use Some Revisions
Jun 18, 2018 Royal Opera House 2017-18 Review – La Bohème: Matthew Polenzani, Maria Agresta & Company Trapped In Camp Direction
Jun 15, 2018 Teatro Comunale di Bologna 2017-18 Review – Don Carlo: Maria José Siri & Luca Salsi Dominate Verdi’s Masterpiece
Jun 14, 2018 Metropolitan Opera Summer Recital Series 2018 Review – Hopkins, Chang, and Moore Put on a Splendid Evening of Outdoor Opera
Jun 14, 2018 Opernhaus Zurich 2017-18 Review: Das Land Des Lachelns: Piotr Beczala Shines Amidst Confused Production of Lehár Classic
Jun 13, 2018 Teatr Wielki Warsaw 2017-18 Review – Carmen: Rinat Shaham & Leonardo Capalbo Salvage Senseless Production By Andrzej Chyra