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Reviews

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Jun 26, 2018

Opera Theatre of St. Louis 2018 Review – Orfeo and Euridice: Johnson Cano Stellar in Probing Gluck’s Mythical Vision of Love

Jun 26, 2018

Waldebuehne 2018 Review: Magdalena Kozena Dazzles Alongside Sir Simon Rattle & Berlin Philharmonic

Jun 25, 2018

Opera in the Ozarks 2018 Review – Die Fledermaus: A Formidable Cast Enlivens Strauss Jr.’s Famed Masterwork

Jun 21, 2018

Opéra National de Paris 2017-18 Review – Il Trovatore: Sondra Radvanovsky & Anita Rachvelishvilli Shine In Overindulgent Production

Jun 21, 2018

Palazetto Bru Zane 2018 Festival Review: Gounod Gala Is A Goldmine of Hidden Operatic Gems

Jun 20, 2018

Vienna Philharmonic 2017-18 Review: Elina Garanca Takes Us On A Transcendent Journey With Mahler

Jun 20, 2018

Palacio de Bellas Artes 2018 Review – El Juego De Los Insectos: Ibarra’s Opera Features A Fascinating Vision That Could Still Use Some Revisions

Jun 18, 2018

Royal Opera House 2017-18 Review – La Bohème: Matthew Polenzani, Maria Agresta & Company Trapped In Camp Direction

Jun 15, 2018

Teatro Comunale di Bologna 2017-18 Review – Don Carlo: Maria José Siri & Luca Salsi Dominate Verdi’s Masterpiece

Jun 14, 2018

Metropolitan Opera Summer Recital Series 2018 Review – Hopkins, Chang, and Moore Put on a Splendid Evening of Outdoor Opera

Jun 14, 2018

Opernhaus Zurich 2017-18 Review: Das Land Des Lachelns: Piotr Beczala Shines Amidst Confused Production of Lehár Classic

Jun 13, 2018

Teatr Wielki Warsaw 2017-18 Review – Carmen: Rinat Shaham & Leonardo Capalbo Salvage Senseless Production By Andrzej Chyra

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