Reviews
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Los Angeles Opera 2017-18 Review – Rigoletto: Adela Zaharia Makes Triumphant Debut Alongside Michael Fabiano & Ambrogio Maestri
Prologue CD Review: Francesca Aspromonte’s Vocal Beauty Is Glorious In Experimental Baroque Album
Center for Contemporary Opera 2018 Review: Pascal Dusapin’s “To Be Sung” and Stein’s Intimate Love Affair
Amore Opera 2017-18 Review: La Traviata – Jennifer Gliere Enchants as Life, and Death, of the Party
Vienna State Opera 2017-18 Review – La Traviata: Not Even Plácido Domingo Can Save Jean-François Sivadier’s Misguided Production
Vienna State Opera 2017-18 Review – Capriccio: A Win for the Words When Music Misses The Mark
Tiroler Landestheater 2018 Review – Rienzi: While Uneven Musically, Johannes Reitmeier Presents Timely & Relevant Interpretation of Neglected Wagner Work
Salzburg Whitsun Gala Konzert 2018: Jonas Kaufmann & Cecilia Bartoli Deliver Rossini & Wagner Goods Of Highest Order
Whitsun Festival Salzburg 2018 Review – L’Italiana in Algeri: Cecilia Bartoli Stars & Leads The Way In Rossini Comedy
Regina Opera Company 2017-18 Review – Aida: Company Breaks New Ground with Heartfelt Production
Komische Oper Berlin 2017-18 Review – Eugene Onegin: Barrie Kosky’s Rendition of Tchaikovsky Masterwork Destined to Be Remembered Forever
