Last year was arguably Ryan Speedo Green’s biggest year as he broke out in the operatic world with his showstopping aria “Vecchia Zimarra” in Puccini’s “La Bohème” at the Metropolitan Opera. The bass made the most out his two minute aria and critics said that he was the most memorable performance of the night. A star was essentially born. This {…}
The final days of Black History Month coincide with the birthday of one of the great black singers in the history of opera, quite possibly the most important. While Leontyne Price belongs in the pantheon of the world’s greatest singers and is quite possibly the most famous ever, Marian Anderson, born on Feb. 27, 1897, was the one that allowed {…}
Born on Feb. 25, 1873, Enrico Caruso was arguably the most important opera singer in the entire history of the art form. Maybe only Maria Callas rivals him in putting the art form into the collective consciousness of 20th century audiences. Caruso, who was beloved for his simple nature and brilliant voice, was a man capable of selling out any {…}
Renata Scotto needs no introduction. She is one of the greatest singers of the 20th century and she conquered many of the prima donna roles. On Feb. 24, Scotto will be 83 and at her age the Diva still continues to teach and give masterclasses as evidenced last month at the Opera Naples. In celebration of Scotto’s birthday, OperaWire looks {…}
Opera is a singer’s medium, but the last few decades have seen a shift toward giving the director the power onstage, especially in Europe. The Metropolitan Opera has slowly but surely reshaped its theatrical approach to its new productions, bringing in renowned stage directors from around the world. Some have been David Alden, Anthony Minghella, Richard Eyre, Mary Zimmerman, David McVicar {…}
Rolando Villazón turns 45 on Wednesday, Feb. 22, 2017. The Mexican tenor has managed a strong career over the past decade, conquering numerous struggles and paving new ways that have allowed him to remain at the forefront of opera’s diversification and development. He has reshaped his repertoire to suit his vocal and dramatic abilities, but today we recognize him for {…}
John Holiday is one of the most promising countertenors of his generation. Holiday’s star is rising and this week he will once again have a chance to prove it at the Bruce R. Foote Foundation Concert. The tenor, who is a recipient of the Bruce R. Foote award, will perform a concert that will show his talent in distinct repertoire, which {…}
Vittorio Grigolo is one of the most acclaimed tenors of his generation and has already been hailed as the successor to Luciano Pavarotti, his greatest qualities including his rampant energy and charisma on stage. On Feb. 19 Grigolo celebrates his 40th birthday and as a result OperaWire takes a look at some his most acclaimed roles The Duke in “Rigoletto” Vittorio Grigolo {…}
Isabel Leonard turns 35 on Saturday Feb. 18. The singer’s stature has grown over the past few years as the artist, so beloved around the United States, has seen her profile grow ever greater around the world. She is coming off major turns as Adalgisa in “Norma” and Charlotte in “Werther,” which she is currently performing at the Metropolitan Opera. {…}
