The history of Mussorgsky’s famed “Boris Godunov” is quite extensive with many comparing it to Verdi’s “Don Carlo” in terms of its numerous versions. The truth is that the opera, like the Italian composer’s counterpart, has no definitive version. Mussorgsky originally released a version of the opera in 1869 but then went about revising it, expanding on musical material and {…}
Mozart’s operas are collections of some of the art form’s most iconic characters. A survey through the works of classical music’s most iconic creator, who turns 261 on Jan. 27, will reveal one complex being after another. The lengthy list is unlike any other in perhaps any art form. Every character shines brightly in a Mozart character, whether he be {…}
On Jan. 26 two operas had their premieres and are now part of the standard repertoire. The first opera was Mozart’s “Così Fan Tutte” in 1790 and the second was Strauss’ “Der Rosenkavalier” in 1911. Both operas are from different periods and completely different in style, but they have one in common. Many Mozartian singers who take on one opera, wind {…}
For decades Marcello Giordani was a fixture at the Metropolitan Opera, taking on many of the classics of the operatic canon as well as some lesser known works. He made his debut in 1993 as Rodolfo in “La Bohème” and has gone on to sing over 200 performances. The tenor, who is celebrating his 54th birthday on Jan. 25, also {…}
On Jan. 24, 1835 Bellini premiered his final opera, “Puitani.” Despite being beloved for its beautiful melodies and incredible coloratura challenges, the opera is also known for its ludicrous story line. This season the Metropolitan Opera is presenting the work with an all star cast and a new diva. The Met has always used the opera as a showcase for {…}
A month ago Russell Thomas surprised Metropolitan Opera audiences with his immense voice and gleaming high notes. The role was the small but crucial part of Ismaele in Verdi’s “Nabucco.” While this is a character that can sometimes be ignored, Thomas brought undisputed star power to it. With such a big breakout, Thomas is set for another milestone in his {…}
Perhaps no artist in the modern opera world is as iconic as Plácido Domingo. He has defied expectations at every turn, taking on more roles (and continuing to do so) than any other singer history. He is also a conductor and impresario and has taken on many humanitarian and educational programs throughout his stories career. And his career is still {…}
Roberta Peters’ passing on Thursday, Jan. 19, 2017 was a rough day for the opera community. The soprano, who had such a memorable career at the Metropolitan, was an artist like no other. She was elegant both physically and vocally and her singing was undeniably fearless. She took on many repertoire classics but never had any qualms about adding her {…}
I imagine that upon reading the title of this article, you were probably confused about the arbitrary pairing of Verdi’s “Il Trovatore” and Massenet’s “Manon.” The former is an opera in the Bel Canto style, firmly looking backwards in both its subject matter and style while the latter is one of Manon and French opera’s more progressive operas. The former {…}
