Juan Diego Flórez is one of the greatest tenors in the world. Of that there can be no doubt. Born on Jan. 13, the tenor has gone on to establish himself at every major opera house in the world in an ever-evolving repertoire that ranges from Rossini, Donizetti, and Bellini all the way to the great French composers such as {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment will showcase Norman Jewison’s {…}
James Morris and Sherrill Milnes were both born on Jan. 10, though Milnes is 12 years older than his American colleague. The two shared the stage on several occasions with Milnes taking on leading baritone roles and Morris championing the leading bass parts. Their voices usually aren’t categorized in the same manner, Milnes being a baritone and Morris a bass-baritone. {…}
Salome is widely considered one of the most challenging roles in the soprano repertoire. It’s not only a vocal tour de force but a chance to showcase a soprano’s dramatic force. This week, Swedish soprano Malin Byström returns to the Royal Opera House making her house role debut as Strauss’ “Salome” after stunning critics and audiences in the role at the {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment will showcase Ingmar Bergman’s {…}
When the Vienna State Opera kicks off its production of Bellini’s “I Puritani” on Jan. 4, the work will feature a soprano that few people have heard of in recent years – Venera Gimadieva, alongside a cast that includes Adam Plachetka, Jongmin Park, and Dmitry Korchak. Gimadieva is no outsider to be sure. The 33-year-old Russian soprano trained at the {…}
For many, 2017 was a year to celebrate with many triumphs. It was also a tough year for arts institutions fighting sexual harassment scandals and numerous political issues. And it was also a year that saw many beloved artists and celebrities’ lives come to an end. The opera world was particularly devastated by the loss of many major stars, some of {…}
It’s New Years Eve! And for some opera fans, there is no better way to celebrate it than to kick back and listen to some opera. Obviously, we wouldn’t recommend a tragedy to kick off the year, but probably some excitement and joyous partying. And we all know that opera has some of the most raucous parties imaginable. So as {…}
It’s popular to make year-end lists, and I saw between 30-35 performances during the calendar year. Much of what I saw was terrific and, of course, there were many more outstanding performances that I didn’t see. These are the five that I will remember the most from what I saw; they are not necessarily the best but will remain in {…}
