Hector Berlioz has always stood as a controversial figure in the world of classical music. Born on Dec. 11, 1803, his legacy has been one of confusion for many artists. On one hand, he is seen as an incredible genius, whose music is among the richest ever written, his orchestration revolutionary. Others find his music ambiguous in quality, with only {…}
Giacomo Lauri-Volpi is one of the most celebrated tenors in history, encompassing a wide-ranging repertoire and lengthy career. Lauri-Volpi, born on Dec. 11, 1892, was born in Lanuvio, Italy and found himself an orphan at just 11 years of age. From there he would build himself up under baritone Antonio Cotogni, and eventually find international acclaim. His career is one {…}
This week marks the opening of the Teatro dell’Opera di Roma and with it, a new production of “La Damnation de Faust.” Headlining the cast will be burgeoning tenor Pavel Černoch. The tenor, just 43, hails from the Czech Republic and had his first big break when he debuted at the Bavarian State Opera in Munich in 2009 as Števa {…}
Elizabeth Schwarzkopf is undeniably one of the greatest artists of the 20th century. Born on Dec. 9, 1915, the German soprano was best known for her work in German repertoire, becoming one of the greatest Richard Strauss interpreters of all time. She dominated the operas of Mozart and even made herself as a notable Wagnerian. She won a plethora of {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Jonathan Woody Allen’s {…}
We all know “Cavalleria Rusticana,” the great masterpiece of Pietro Mascagni, who was born on Dec. 7, 1863. Unfortunately, that’s all most people in the opera world and outside of it, know about the Italian composer. It’s actually quite unfortunate, given that “Cavalleria” was his very first opera and that he would go on to write 15 total, his final {…}
Over the past few years Yusif Eyvazov’s star has been in ascension. Since his breakout in 2014, when he performed “Manon Lescaut” with Anna Netrebko at the Teatro dell’opera di Roma, the tenor has debuted in many of the greatest theaters. However, this week he will headline his biggest assignment yet. Eyvazov will open the Teatro Alla Scala 2017-18 season {…}
Maria Callas is arguably THE greatest opera star in history. Born on Dec. 2, 1923, the Greek singer (who was born in New York City) would become a turning point in the history of the art form, with some going so far as to claim there was a period “Before Callas” and one “After Callas.” Leonard Bernstein called her “The {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Jonathan Demme’s “Philadelphia.” {…}
