This week, the Royal Opera House will revive Gounod’s “Faust” with a cast of rising stars, including Carolina Lopez Moreno. Moreno will make her Royal Opera House debut and her debut as Marguerite. It is perhaps one of her highest profile assignments to date after the soprano’s whirlwind months, which have seen her make unexpected debuts with the Gran Teatre {…}
(Photo Credit @ Micah Shumake / Detroit Opera) As summer approaches, there are many exciting things on the horizon for the operatic world. While the 2025-2026 season at the Metropolitan Opera has many new names, across the world there are numerous premieres that inspire, one great example being the IN Series’ focus on new works and the Bayerische Staatsoper’s premiere of {…}
(Credit: Fabrizio Sansoni) On May 14, the Teatro dell’Opera di Roma will present a new production of Mozart’s “Il Re Pastore” with a cast of Mozart specialists, including Benedetta Torre, who will sing the role of Tamiri. The soprano will make a double debut as she will sing the role for the first time in her career while making her {…}
(Photo Credit @Paramount Pictures) Stephen Frears‘ 2016 film, “Florence Foster Jenkins,” was a instantaneous, worldwide success among critics and the public alike. It was one of the most popular biopic projects in recent Hollywood history to touch upon the musical scene before the release of Pablo Larraín’s “Maria.” The film tells of the exploits of Florence Foster Jenkins (1868-1944), who {…}
(Credit: © Sandra Then) The sounds of history often linger, echoing into the present in ways that demand our attention. Sometimes they whisper, unsettling but distant; other times, they crash through with devastating force. In Germany, the past is never far from the surface, but it has rarely felt as raw and urgent as it does now. At the Hanover {…}
This weekend, the Pittsburgh Opera is set to present the world premiere of “Woman with Eyes Closed” by Jennifer Higdon. The work is experimental in nature as it needs to be seen at least twice, as each night of the production has the possibility of a completely new ending. Over the years, Higdon has become one of the most acclaimed {…}
Who knew that a music video entitled “Opera” could instigate a conversation on the nature of opera and being human? Thanks must be given to Niklas Paschburg, a German musical artist whose ‘ambient pop’ style blurs the distance between conscious and unconscious feeling: itself the very constitution of opera’s ‘third death.’ In this month’s “Opera Meets Film,” I explore the {…}
(Credit: Bernd Uhlig) On April 13, the Berlin State Opera kicked off a new production of “Norma” by Vasily Barkhatov. The opera opened the company’s 2025 festival with Rachel Willis-Sørensen making her role debut as Norma. For the American soprano, this new venture into the bel canto repertory represents a departure from the repertoire she is best known for, which {…}
(Picture Credit @Wonge Bergmann) What happens when opera is pushed to the far reaches of the socially acceptable, artistically expected, narratively conventional, and formally structured? You end up with controversial productions, reconstructed variations of well-known stories, and strange configurations of unknown ones. One may remember what happened not so long ago with Stutgart’s “Sancta Susanna” or, longer ago, Adams’ “The {…}
