Mozart’s operas are collections of some of the art form’s most iconic characters. A survey through the works of classical music’s most iconic creator, who turns 261 on Jan. 27, will reveal one complex being after another. The lengthy list is unlike any other in perhaps any art form. Every character shines brightly in a Mozart character, whether he be {…}
On Jan. 26 two operas had their premieres and are now part of the standard repertoire. The first opera was Mozart’s “Così Fan Tutte” in 1790 and the second was Strauss’ “Der Rosenkavalier” in 1911. Both operas are from different periods and completely different in style, but they have one in common. Many Mozartian singers who take on one opera, wind {…}
On Jan. 25, 1817 Rossini premiered one of his most famous works, “La Cenerentola.” The opera, which is based on the classic tale of Cinderella, has become a vehicle for tenors and mezzos to showcase their virtuosic abilities and it has also been a work that has inspired many directors to explore the fairy tale in very eccentric ways. However, it is {…}
On Jan. 24, 1835 Bellini premiered his final opera, “Puitani.” Despite being beloved for its beautiful melodies and incredible coloratura challenges, the opera is also known for its ludicrous story line. This season the Metropolitan Opera is presenting the work with an all star cast and a new diva. The Met has always used the opera as a showcase for {…}
A month ago Russell Thomas surprised Metropolitan Opera audiences with his immense voice and gleaming high notes. The role was the small but crucial part of Ismaele in Verdi’s “Nabucco.” While this is a character that can sometimes be ignored, Thomas brought undisputed star power to it. With such a big breakout, Thomas is set for another milestone in his {…}
Joseph Calleja is one of today’s leading tenors in the opera world as his voice is recognized for having a Golden Age timbre. On Jan. 22 Calleja is not only celebrating his 39th birthday, but he is also celebrating 20 years since his professional debut. As a result, OperaWire takes a look at 20 facts about Joseph Calleja. The tenor {…}
Roberta Peters’ passing on Thursday, Jan. 19, 2017 was a rough day for the opera community. The soprano, who had such a memorable career at the Metropolitan, was an artist like no other. She was elegant both physically and vocally and her singing was undeniably fearless. She took on many repertoire classics but never had any qualms about adding her {…}
I imagine that upon reading the title of this article, you were probably confused about the arbitrary pairing of Verdi’s “Il Trovatore” and Massenet’s “Manon.” The former is an opera in the Bel Canto style, firmly looking backwards in both its subject matter and style while the latter is one of Manon and French opera’s more progressive operas. The former {…}
Corrupt power is at the heart of most drama. Seeing rulers misuse their power for personal greed or arrogance is at the heart of the mythology on ruling. Moreover, it is impossible not to find some degree of corruption in every leader regardless of his or her greatness. After all, this is a world where a Nobel Peace Prize winner {…}
