As the day opens up and the bustle of Seville begins to come to life, the barber makes his grand entrance with his mighty welcoming melody announcing his presence before his body can do the job. I’m talking about our beloved friend as depicted in Rossini’s acclaimed opera “Il Barbiere di Sivilgia” and his electric cavatina, “Largo al factotum.” But {…}
It’s easier to appreciate Robert Ashley’s 1983 “Perfect Lives” by simply accepting it on faith as an “opera” rather than try to cram it into the narrow definition established for the genre. There’s quite a bit of text, some singing, a story with characters, and perhaps too much of a visual spectacle. Purists with preconceived notions about how exactly these {…}
A film about an opera singer falling in-love, only to fall out of love and pursue her career, is perfect for the screen. Produced in 1953 by American playwright and producer Harry Kurnitz, the embellished biopic “Melba“ is the story of the famed figure of operatic history Nellie Melba who was personified by an equally great actress-singer, Patrice Munsel. Although a {…}
(Photo Credit: Ken Howard) Does opera seen at the movies count as its own experience? With the advent of streamed opera in movie theaters, the idea that filmed opera can somehow replace or make up for the real-life experience is a touchy point. Of course, one can’t compare the feeling of being in an opera house with being in a {…}
The idea of putting a movie inside of movie isn’t new, just look at films like “Matinee” (1993) and “The Stunt Man” (1980). But what about an opera inside an opera-based film? This is also not new. For example, the 1947 British film, “Take My Life.” For British director Henry Cass, however, the idea was realized in his 1949 film, {…}
Does a film titled “Opera” have to be about opera? Moreover, does it even have to use operatic music? Have we come so far as to distinguish between opera and Opera, and is there a difference between being ‘opera’ and ‘operatic?’ While the answer does not exist per se, animator Erick Oh’s short film entitled “Opera”—a Marxian look at the {…}
Nothing is ever black and white, not even climate change, war, activism, politics, and art. But what can be said is that our Earth needs to be protected no matter the cost. While the number of oil spills has gone down over the decades, the amount of trash produced by China and the United States alone is staggering. On top {…}
What do you get when you cross Richard Wagner’s “The Ring Cycle,” with its dramatic story of warring gods and goddesses told by the light of an exorbitant musical tapestry, the humorous animations of Warner Bros., a large helping of ironic self-awareness? Well, you end up with “What’s Opera, Doc?” The brain child of animators Chuck Jones and Michael Maltese, {…}
What happens when you mix incredible beauty with a knack for theatrical allure, a stellar work ethic, as well as a drive to succeed? Of course, you produce someone who’s situation can never get the best of them. Within the annals of operatic history are many figures for whom their upbringing did not promise them anything that was afforded them {…}
Photo: ShoutPR (Shout Factory) This review was written jointly by Chris and Finn Ruel. Mozart’s “The Magic Flute,” directed by Florian Sigl, hit the silver screen nationwide on Mar. 10, 2023. It’s a fantasy film that captures the essence of Mozart’s stunning operatic fairy tale and does it well. There is much to commend about Sigl’s film. It’s well put {…}
Peter Sellars warned the crowd gathered in the Rubin Museum on a recent Friday night that the film would be long. “It’s only an hour and fifteen minutes,” he said. “But the beginning feels like several lifetimes.” At first, the caution was unnecessary. “this body is so impermanent,” a new film Sellars directed at the height of the pandemic, explores {…}