Opera Meets Film: How the Intermezzo from Bizet’s ‘Carmen’ Is Used to Draw Thematic Connections with “Someone Has to Die’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features the {…}

Nov 26, 2020

Opera Meets Film: How the Music of Bizet & Verdi Adds Irony to Luchino Visconti’s ‘Ossessione’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Luchino {…}

Nov 19, 2020

Opera Meets Film: How a Choral Passage from ‘Lucia di Lammermoor’ Emphasizes Robert DeNiro’s Operatic Turn in ‘Cape Fear’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Martin {…}

Nov 12, 2020

Opera Meets Film: Musical, Theatrical, & Cinematic Space in Derek Jarman’s Opera Films

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features the {…}

Nov 5, 2020

Opera Meets Film: How a Bellini Aria Foreshadows Tragedy in Luchino Visconti’s ‘La Terra Trema’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Visconti’s {…}

Oct 29, 2020

Opera Meets Film: How ‘Tosca’s’ ‘Vissi d’Arte’ Provides Symbolism & Transcendent Life to ‘Lola Vers la Mer’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Larent {…}

Oct 22, 2020

Opera Meets Film: How Nicholas Winding Refn’s ‘Bronson’ Employs Opera to Mythologize its Infamous Title Character

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Nicholas {…}

Oct 15, 2020

Opera Meets Film: How a Short Bellini Song Thematically Ties Together Edward Yang’s Novelistic ‘Yi Yi’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Edward {…}

Oct 8, 2020

Opera Meets Film: The Emotional & Metaphorical Use of Wagner’s ‘Tannhaüser’ in Jules Dassin’s ‘Brute Force’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Jules {…}

Oct 1, 2020

Opera Meets Film: How ‘The Cold Song’ From Purcell’s ‘King Arthur’ Provides Emotional Depth in Maurice Pialat’s ‘A Nos Amours’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Maurice {…}

Sep 24, 2020

Opera Meets Film: How ‘Cuties’ Uses Vivaldi’s ‘Nisi Dominus’ to Explore Conflicting Narrative & Formal Tensions in a Climactic Scene

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Maïme {…}