What happens when creatives move in different directions than their main artistic medium? For many, moving between the mediums is a natural process, a way to materialize one’s creative impulses through various means. Auguste Rodin, the celebrated naturalist sculptor of the late 19th-20th century, was a fine painter as his numerous works show, although is best known for works like {…}
In the body of opera-oriented films, from contemporary works like ‘The Moon and the Stars‘ (2007), and ‘Florence Foster Jenkins‘ (2016), to earlier icons like ‘Fire at the Opera‘ (1930) and ‘Champagne Waltz‘ (1939), the ways opera and operatic life is conveyed on screen is highly diverse. However, go far enough backwards and one will find a way of conveying the operatic body {…}
John Irvin’s 2007 film “The Moon and the Stars” is a tale of arduous love, societal stigma, and unyielding dedication to art. The story revolves around the production of a cinematic rendition of Puccini’s fifth opera, “Tosca.” There are two primary narratives that play out in tandem: the arrest of the production’s director, Davide Rieti, a gay Jewish man played by {…}
(Photo Credit @Paramount Pictures) Stephen Frears‘ 2016 film, “Florence Foster Jenkins,” was a instantaneous, worldwide success among critics and the public alike. It was one of the most popular biopic projects in recent Hollywood history to touch upon the musical scene before the release of Pablo Larraín’s “Maria.” The film tells of the exploits of Florence Foster Jenkins (1868-1944), who {…}
Who knew that a music video entitled “Opera” could instigate a conversation on the nature of opera and being human? Thanks must be given to Niklas Paschburg, a German musical artist whose ‘ambient pop’ style blurs the distance between conscious and unconscious feeling: itself the very constitution of opera’s ‘third death.’ In this month’s “Opera Meets Film,” I explore the {…}
Released in 2008, Canadian director Kevin Sullivan’s reimagining of “The Magic Flute” in his film, “Magic Flute Diaries,” was a profound statement on the way operatic narratives could be fused into the real world through a cross-relationship of experience, emotion, and feeling. Starring Canadian soprano Mireille Asselin as Masha/Pamina and baritone Olivier Laquerre as Papageno, the film continued the trend {…}
What happens when a rather questionable story where good intentions end up futile in the face of capricious behavior is re-conceptualized? “The Opera!” by directors Paolo Gep Cucco and Davide Livermore. It is a strange sort of film where the two central characters are played by opera singers (Orpheus, Valentino Buzza and Eurydice, Mariam Battistelli) who seem woefully under-prepared to {…}
What is life if it’s not lived? Maria, “La Divina,” Callas lived a life which could fill 100 and yet, she kept going until her form could no longer sustain itself under the gravitas of her vitality. Having starred in her only film, “Medea“ (1969), producing some of the most important masterclass recordings of operatic history at Juilliard in New York {…}
The idea that opera is a controversial influence on society is not a new idea per se. Beginning in the early 17th century, the idea of “opera” in its formal meaning began to spread, and by the end of the next century, it had become a seminal part of cosmopolitan life in Baroque (then Classical) Europe. That being said, during the {…}
(Photo Credits: Photofest) It’s no surprise that Richard Wagner’s music is a popular choice for cinematic moments of intense dramaticism, humor, horror, suspense, philosophical gravity, and pleasure. From the many comical moments in the 1957 Warner Bros’ film, “What’s Opera, Doc?,” Werner Herzog’s sobering 1992 documentary experience, “Lessons of Darkness,” the endearing 1930 film, “Fire At The Opera,” or the {…}
(Photo Credit: San Francisco Opera) On November 1, at 8 p.m. (PDT), the new film, “Eun Sun Kim: A Journey Into Lohengrin,” was broadcast for the first time, although being available for viewing already. Featuring the Korean conductor Eun Sun Kim and her labors around the preparation of San Francisco Opera’s 2023 production of Wagner’s “Lohengrin,” the behind-the-scenes film is {…}