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Business, News

Opera Australia Announces New Opera Youth Program

https://operawire.com/opera-australia-announces-new-opera-youth-program/

Opera Australia has announced that it will offer 500 tickets for the special price of $35 to celebrate the launch of its new Opera for Under 35s program. The program is designed to encourage younger audiences to experience the world of opera and the initiative will kick-off with the Australian premiere of Edward Dick’s highly anticipated production of “Tosca,” opening {…}

Reviews, Stage Reviews

Opera Australia 2024 Review: Idomeneo

https://operawire.com/opera-australia-2024-review-idomeneo/

(Photo: Keith Saunders In her thought-provoking program essay on “Idomeneo,” the final opera in Opera Australia’s 2024 summer season which premiered at Sydney Opera House on Feb 20, director Lindy Hume quotes Anne Carson’s “Grief Lessons” of 2008: “Myths are stories about people who become too big for their lives temporarily, so that they crash into other lives or brush {…}

News

Opera Australia Announces Cast of ‘West Side Story’

https://operawire.com/opera-australia-announces-cast-of-west-side-story/

Opera Australia has announced that the cast of “West Side Story.” opening on March 22, hail from all over Australia. The performers come from Mount Gambier, Wagga Wagga, Alice Springs, Gold Coast, Canberra, Newcastle, Melbourne and Adelaide. There is also one international cast member from the U.S. The cast includes First Nations soprano Nina Korbe as Maria and Canberran Billy {…}

Reviews, Stage Reviews

Opera Australia 2023-24 Review: Theodora

https://operawire.com/opera-australia-2023-24-review-theodora/

(Photo Credit: Keith Saunders) Opera Australia’s summer season continued on February 8 with a chance to hear Handel’s favorite among his oratorios. What was it? 1739’s “Saul?” “Messiah” of 1742? Neither. In a coproduction with baroque specialists Pinchgut Opera, Opera Australia presented “Theodora,” Handel’s oratorio from 1750. This was a semi-staged version directed by Lindy Hume, who has been Opera {…}

Behind the Scenes, Interviews

Q & A: Michael Schade on Performing Idomeneo & Opera Australia

https://operawire.com/q-a-michael-schade-on-performing-idomeneo-opera-australia/

Michael Schade is one of the leading tenors of our times who has appeared at many of the greatest theaters in the world including the Wiener Staatsoper, Metropolitan Opera, Canadian Opera Company, Hamburg State Opera, and the Berlin State Opera, among others. Throughout his career, he has performed a diverse repertoire that includes the music of Strauss, Rossini, Wagner, and {…}

Reviews, Stage Reviews

Opera Australia 2024 Review: The Magic Flute

https://operawire.com/opera-australia-2024-review-the-magic-flute/

(Photo credit: Keith Saunders) Mozart’s “The Magic Flute” has a bit of everything – part-serious opera, part-singspiel, part-burlesque, part-ritual. Music commentators often seem much exercised with how to categorize it. That thought arose while watching Kate Gaul’s new production of “The Magic Flute” on February 1. This was the third opera in Opera Australia’s 2024 summer season at Sydney Opera {…}

Reviews, Stage Reviews

Opera Australia 2024 Review: Orpheus and Eurydice

https://operawire.com/opera-australia-2024-review-orpheus-and-eurydice/

Photo credit: Keith Saunders Opera Australia’s 2024 season at the Sydney Opera House continued on January 12th with a beguiling production of Gluck’s 18th century “Orpheus and Eurydice.” Originally a co-production between Opera Queensland and acrobatic troupe Circa, which Opera Australia now offered as their contribution to this year’s Festival of Sydney, this is a summer event that annually offers {…}

Reviews

Opera Australia 2024 Review: La Traviata

https://operawire.com/opera-australia-2024-review-la-traviata/

(Photo: Keith Saunders) Sarah Giles’s production of “La traviata,” currently playing at Sydney Opera House, comes across as a very intelligent piece of theater. Already seen at Opera Queensland, State Opera of South Australia and West Australian Opera, this production opened Opera Australia’s 2024 summer season on January 2. Much of its effectiveness was achieved through devices that increased our {…}