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Reviews, Stage Reviews

Teatro alla Scala 2025-26 Review: Lady Macbeth of the Mtsensk District’

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(Photo: Brescia e Amisano | Teatro alla Scala) Composed between 1930 and 1932, when the young Dmitri Shostakovich had not yet turned thirty, “Lady Macbeth of the Mtsensk District” represents one of the boldest and most radical moments in the entire operatic output of the twentieth century. Riccardo Chailly described the work as “an opera of radical modernity.” At its {…}

Reviews, Stage Reviews

Teatro alla Scala 2024-25 Review: La Fille du Régiment 

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(Photo: Brescia e Amisano / Teatro alla Scala) When Gaetano Donizetti arrived in Paris in October 1838, he was already one of the great figures of bel canto. Yet what he sought in the French capital was professional stability and institutional recognition–something Italy had not always granted him. Within a few months he had conquered, along with the French language itself, {…}

Reviews, Stage Reviews

Teatro alla Scala 2024-25 Review: Il nome della rosa (World Premiere)

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(Ph. Brescia – Amisano © Teatro alla Scala) In a suitcase–acquired expressly to transport it due to its weight and size–travels, rehearsal after rehearsal and performance after performance, the score of “Il nome della rosa,” weighing an impressive 15 kilograms. Yet the heft of this voluminous tome is not merely physical but also semiotic: it is the fruit of the {…}

Reviews, Stage Reviews

Teatro alla Scala 2024-25 Review: Tosca (2019 Revival)

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(Photo: Brescia e Amisano) It was December 7, 2019, when the curtain of Teatro alla Scala rose before the select audience that annually attends the Sant’Ambroeus performance, better known among opera lovers as “La prima della Scala,” the event that inaugurates the new season of the prestigious Italian theater. To open the 2019-20 season—unaware that it would soon be brutally {…}

Reviews, Stage Reviews

Teatro alla Scala 2024-25 Review: Eugene Onegin

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(Credit: Brescia e Amisano ©Teatro alla Scala) On the recommendation of mezzo-soprano Yelizaveta Lavrovskaya, Tchaikovsky began reading “Eugene Onegin” by Alexander Pushkin, initially more out of obligation than pleasure. However, the novel captivated him, especially the figure of Tatiana, which led him to compose a series of “lyrical scenes.” In a letter addressed to Karl Albrecht, Musical Inspector of the Imperial {…}

Reviews, Stage Reviews

Teatro alla Scala 2024-25 Review: Falstaff

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(Photo: Brescia – Amisano © Teatro alla Scala) There is no other title in operatic history that was created with as little expectation as “Falstaff.” Giuseppe Verdi concluded that he had composed everything he was meant to in life and stopped writing for several years. It wasn’t until 1880 that his wife, Giuseppina Strepponi, pointed out that to close his {…}

Reviews, Stage Reviews

Teatro alla Scala 2024-2025 Review: La Forza del Destino

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(Credit: Brescia – Amisano © Teatro alla Scala) Legend has it that “La forza del destino” is a cursed opera, associated with tragedies that seem to haunt every new production. From companies falling into bankruptcy after staging it, to severe technical and production errors arising after the famous overture, and even the deaths of artists linked to the work—this reputation {…}

Reviews, Stage Reviews

Teatro alla Scala 2023-24 Review: Turandot

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In 1924, Giacomo Puccini was indisputably the most renowned, successful, wealthy, and frequently performed living composer in the world. However, the maestro had a big vice: he was an avid smoker. This habit took its toll on him when, after visiting his doctor for a persistent cough and various respiratory issues, he received the devastating diagnosis of an inoperable throat {…}