(Credits: Monika Hoefler / Opus 3 Artists official website / © Henning Ross | Sony Classical / Catherine Pisaroni) The Mozarteum has announced its slate for Mozart Week in 2022, set to take place between Jan. 27 and Feb. 6. For the purposes of this article, our focus will be solely on vocal performances. Festival Director Rolando Villazón will sing {…}
(Photo Credits: Emma Birski / OnP) Opéra National de Paris has announced its 2021-22 season. Here is the full slate. Operas “The Seven Deaths of Maria Callas” by Marina Abramovic will open the season. The showcase stars Nadezhda Karyazina, Selene Zanetti, Leah Hawkins, Adela Zaharia, Lauren Fagan, Gabriella Reyes, and Hera Hyesang Park. Yoel Gamzou conducts. Performance dates: Sep. 1 {…}
(Photo Credits: Artists Management Zürich official website / Sim Canetty-Clarke / Ray Burmiston / Chris Gonz) Philharmonie de Paris has announced its fall 2021 season, which will run from Sep. 8 until Dec. 23, 2021. For the purpose of this article, we will focus on vocal works only. Soprano Christine Goerke and tenor Klaus Florian Vogt perform Richard Wagner’s works {…}
(Credits: IMG Artists official website / Marcelo Álvarez Facebook page / Mariinsky Theatre official website) The Staatsoper unter der Linden has announced the complete list of soloists that will take part in the series of concerts “Viva Verdi” on Oct. 4, 9 & 11, 2020. The string of concert performances comes as a replacement for the fully staged opera “Macbeth” {…}
(Credit: Met Opera / Ken Howard / Marty Sohl) The Met Opera has unveiled its 25 and 26th weeks of streaming, continuing its theme-based streaming options. For week 25, the company will focus on 20th-century classics, while the ensuing week of streams will place an emphasis on French operas. Monday, August 31 – R. Strauss’s Elektra Starring Nina Stemme, Adrianne Pieczonka, Waltraud {…}
The Metropolitan Opera has announced week 20 of its nightly streams. This coming week’s slate will feature a number of renowned artists including Luciano Pavarotti, Plácido Domingo, Natalie Dessay, Ileana Cortrubas, Leona Mitchell, and Christine Goerke among others. Check out the streams on the company’s official website. Here is the full rundown. Monday, July 27 – Donizetti’s Lucia di Lammermoor Starring {…}
(Credit: Tatyana Vlasova) The Boston Symphony Orchestra announce its 2020-21 season noting that anything can change due to the coronavirus pandemic. As always we highlight the vocal performances in this season announcement. The Beethoven Cycle concludes with Andris Nelsons leading the composer’s Ninth Symphony with soloists Amanda Majeski, Tamara Mumford, Pavel Černoch, Kwangchul Youn, and Tanglewood Festival Chorus. The program {…}
(Credit: Washington National Opera) The Washington National Opera has announced its 2020–2021 season offering up some ambitious repertoire. The season with WNO’s new production of Beethoven’s “Fidelio.” Robert Spano makes his WNO debut conducting a cast that includes Elza van den Heever, Brandon Jovanovich, Brian Mulligan, Ryan Speedo Green, Joshua Blue, and Eric Owens. Performance Dates: Oct. 24–Nov. 9, 202o {…}
The Houston Grand Opera has announced its 2020-21 season featuring a number of established as well as rising stars. Here is a detailed look at the upcoming productions: The season opens with Bizet’s “Carmen” with a cast that includes Isabel Leonard and Carolyn Sproule alternating in the role of Carmen, Andrea Caré and Frederick Ballentine alternating as Don José, Anita {…}
This week there are a number of new productions as well as classic works being performed. There is also one opera that is being showcased in two different theaters with two all-star casts; it is for this reason that we simply could not overlook it. Check out our recommendations in alphabetical order by company. Karl V – Bayerische Staatsoper, Germany {…}
Gounod’s “Roméo et Juliette” is arguably the composer’s best work – an extended love duet with beautiful melodies that capture the essence of Shakespeare’s classic tale, if not its complexity. For years, the Met showcased a production that did draw closer to the greatness of Shakespeare, before replacing it with Bartlett Sher’s current interpretation. Sher’s version gets the job done {…}