Puccini’s “Tosca” had its debut on Jan. 14, 1900. Since then it has been an instant classic, one of the staples of the operatic repertoire. All of the world’s greatest sopranos have taken their respective cracks at the role with Maria Callas, Renata Tebaldi, Leontyne Price and Eva Marton among some of the many popular exponents of the role. And {…}
Ben Heppner was one of the most beloved dramatic tenors of his time and one that was admired for his technique. While he retired from the opera world and dedicated himself to radio, the tenor left so many memorable moments on stage. This season he celebrated his 25th anniversary at the Metropolitan Opera with a special gala alongside Deborah Voigt {…}
Juan Diego Florez is one of the most beloved tenors around the world. He has dominated the Bel Canto repertoire for years and his mastery of coloratura is unmeasured. For years the tenor has made an effort to revive works that are rarely performed or simply have been lost in the repertoire. These works have been given special treatment as {…}
Renato Bruson is one of the famous Verdi baritones of all time. His rotund sound had such tremendous range that allowed him to tackle all of the composer’s major roles, almost all to resounding success. He also had such a fantastic technical mastery of his voice that, despite being born on Jan. 13, 1936, he could still be heard singing {…}
Waltraud Meier is recognized as one of the world’s greatest Wagnerians as she has performed most of the great soprano and mezzo roles from the composer. For 20 years she was the Isolde of choice for most houses and she also succeeded as Kundry in “Parsifal.” However, most will forget that the singer accomplished great acclaim in the types of {…}
Rudolf Bing’s name towers in the world of opera. The Austrian-born impresario, born on January 9, 1902, has an enduring legacy, in many ways tainted by the scandals and feuds Bing was known to have with the opera’s greatest figures and lesser-known figures during many of the company’s most tumultuous years. But to see the general manager who wielded his {…}
On Jan.6 Hibla Germava will celebrate her 46th birthday with a special day off. The soprano made to sure to make it clear on her calendar that it was her birthday and that she would not be singing. In celebration of Germava’s birthday, Operawire takes a look at some of the achievements thus far in her career. 1994 First Prize {…}
On Jan. 4 Grace Bumbry will celebrate her 80th birthday. The mezzo soprano is recognized as one of the pioneers in the world of classical music who paved the way for future African-American opera and classical singers. The mezzo had the distinction of having a powerful and big voice that sang with commitment and intensity. She was also recognized for her agility and bel canto {…}
On Jan.3, 1843 Donizetti’s comic masterpiece “Don Pasquale” made its premiere with immediate success. It immediately became part of the standard repertoire and a piece that was translated into French, and performed all over the world. Since its premiere the opera has been performed more than 700 times and has been recorded by many great artists. To celebrate the works {…}
On Dec. 30, 1835 Donizetti’s “Maria Stuarda” made its premiere with the admired soprano Maria Malibran. The opera did not get a good reception due to the two sopranos being in poor voice and as a result of Malibran ignoring the censors. The result was an opera that would be ignored for 130 years and one that would not be {…}
Francesco Tamagno, born on December 28 in 1850, had a tremendously successful career throughout Europe and America. But his single biggest moment, the one for which he is remembered, is for premiering Verdi’s “Otello” in 1887. The tenor was also one of the first ever to record his voice and those immortal renditions are a major link to the great {…}