(Photo: Andrea Ranzi) Nicola Campogrande’s “Olympia” world premiere at the Teatro Comunale Nouveau di Bologna joins a small category of operas that attempt to absorb the psychic weather of the digital age without collapsing into either technophilia or dystopian cliché. The work takes its cue from E.T.A. Hoffmann’s famous automaton tale, but it relocates the uncanny into a world of {…}