(Photo: Birgit Gufler) After 13 years in the post, Alessandro De Marchi brings his tenure as the artistic director of the Innsbruck Festival of Early Music to a close with a program dominated by the Venetian composer Antonio Vivaldi. Not only do many of the festival’s events feature his music, including the festival’s closing concert “Lieto Fine,” but all three {…}
(Photo: ©António Pedro Ferreira) An exciting production of Verdi’s “Il Trovatore” closed the 2022-23 season of Lisbon’s Teatro Nacional de São Carlos this past week, bringing a fitting conclusion on a high note to the challenging tenure of Elisabete Matos as the Artistic Director of Portugal’s premier opera house. Rendered in a lively staging by Stefano Vizioli, Maestro António Pirolli {…}
This year’s schedule for Innsbruck’s Early Music Festival includes three operas from the baroque period: “La Dori” by Antonio Cesti; “Merope” by Farinelli’s brother, Riccardo Broschi, and “Ottone” by Handel. Over the next few weeks Operawire will be interviewing the three directors responsible for the staging of the operas. Cesti’s “La Dori” was written in 1657, for the Court in {…}