The San Diego Opera has been awarded a major grant from the National Endowment for the Arts for the world premiere of the new opera “The Last Dream of Frida and Diego.” Per a press release, the National Endowment of the Arts has awarded the company with $25,000 for the work, which is a co-commission between San Diego Opera, Fort {…}
The San Diego Opera has announced a free children’s opera performance of “Little Red Riding Hood.” The performance, which is scheduled for Saturday, May 19, 2018 at the Greek Amphitheatre, will be performed in English and is approximately 50 minutes long. The performance will also include a pre-performance hour of family fun with free face painting, balloon artists, and family-friendly {…}
Opera America has announced the recipients of the second cycle of Innovation Grants. The grants, which are “generously funded by the Ann and Gordon Getty Foundation,” were launched in 2016 in support companies that have shown tremendous innovation in diverse areas of the art form. The grants total $1.5 million. This year, 20 companies were awarded the prestigious grants. They {…}
Elaine Alvarez always knew she was destined for the stage. Or if she didn’t, her mother Yasmin Alvarez certainly did. The soprano, who is slated to make her role debut in “Florencia en el Amazonas” at the San Diego Opera (her house debut, incidentally) grew up in a musical atmosphere that nurtured this potential. In a recent interview with OperaWire {…}
This week’s picks are all about debuts. We’re talking about house debuts for artists, house debuts for operas, and in one case a role and house debut all in one. It’s going to be a fun weekend with the biggest challenge likely coming down to where you want to be on Saturday night. Orfeo ed Euridice – Florida Grand Opera {…}
The San Diego Opera will close its 2017-2018 mainstage season with Daniel Catán’s “Florencia en el Amazonas.” The opera, loosely based on Gabriel García Márquez’s novel, “Love in the Time of Cholera,” opens on March 17, 2018, is set to star Elaine Alvarez in the title role in her company debut. OperaWire recently got an opportunity to interview the soprano; {…}
The San Diego Opera has announced that Patrick Mühlen-Schulte will serve as the Company’s Chief Development Officer. The main functions of the COC are fundraising and he will be “responsible and accountable for achieving the annual and long-term goals for contributed income.” Per a press release, he assumed his post on Monday, Feb. 5, 2018. Mühlen-Schulte’s previous experience includes working {…}
Last week was rife with modern opera in our top five works to see during the weekend. And this weekend will be no different with a number of companies experimenting and promoting new music. Cruzar la Cara de la Luna – New York City Opera The New York City Opera brings the world’s first-ever mariachi opera to its stage this {…}
San Diego Opera and the SDSU School of Music and Dance have announced a new, shared position between the two organizations. The new position will be “Director of Opera,” a full-time, faculty position that will direct SDSU Opera’s Fall production, teach acting and stage movement for singers, and then act as assistant director on San Diego Opera’s mainstage productions in {…}
Another operatic weekend. Another set of opening performances around North America. The big one on the radar is “Samson et Dalila” at the Dallas Opera, which is set to star Olga Borodina. The opera opens on Friday with another performance set for Sunday. Houston Grand Opera opens its production of “La Traviata” on Saturday. Additionally, the Florentine Opera opens its {…}
As we get deeper and deeper into the fall season, opera lovers are finding themselves with more and more options around the United States. Here is a look at the offerings for this second weekend of the month. First off, let’s kick off with the major openings. On Saturday, Los Angeles Opera opens its production of “Nabucco (the company also {…}