As Renée Fleming, “America’s Diva,” introduced the third to last piece in a program that ranged from Handel to Cantaloube to Harold Arlen, the beloved singer sighed deeply. It was a testament to the magic and beauty she had spun singing one of the standout numbers of her concert, “O mio babbino caro” from Puccini’s “Gianni Schicchi.” She sang the {…}
(Credit: Anne Zeuner / Salzburg Festival) Strauss’ opera “Elektra” will open this year’s Festival in Salzburg, in quite unique circumstances due to the COVID-19 pandemic. Conductor Franz Welser-Möst and stage director Krzysztof Warlikowski discussed their views of the production in a recent press release from the Salzburg Festival. “The danger of becoming inebriated with the opulence of sound and losing {…}
The Royal Opera House continues its #OurHouseToYourHouse program with a screening of ZooNation’s family-friendly “The Mad Hatter’s Tea Party” on Friday, July 31 at 7:00 p.m. BST. ZooNation: The Kate Prince Company, a British hip-hop influenced dance company, reimagines Lewis Carroll’s classic tale with a 21st-century twist, zeroing in on perceptions of mental illness and the concept of “normality.” ZooNation {…}
Opera San José has announced plans to create the Fred Heiman Digital Media Studio, a state-of-the-art performance space housed within Opera San José headquarters in Northern California. The project demonstrates OSJ’s commitment to presenting the first half of its 2020 – 21 season while safeguarding audiences during the COVID-19 pandemic. Funded by Opera San José trustee Peggy Heiman in honor {…}
Credit: Simon Fowler
(Credit: Candy Welz) Soprano Camila Ribero-Souza was born in São Paulo, Brazil, where she studied singing with Jocelyne Gallo, Edilson Costa, and Luiz Tenaglia. From March 2011 until January 2018, she was a member of the soloist ensemble of the Meininger Staatstheater. In February 2018, as a spinto soprano, she joined the ensemble at the Deutsches Nationaltheater Weimar, where she {…}
(Photo Credit: Dario Acosta) February 4, 2020, saw the latest installment of Lincoln Center’s Great Performers series, with the evening’s recital featuring renowned mezzo-soprano Susan Graham, accompanied by Malcolm Martineau. The program, titled “Fauenliebe und –leben: Variations,” took Schumann’s song cycle and fleshed out a fuller narrative, using a breadth of musical works from other composers which spanned eight languages. {…}
(Credit: Arielle Doneson) The Atlanta Opera is set to premiere Tomer Zvulun’s new production of “Salome” on Jan. 25, 2020. The work will star Jennifer Holloway in her U.S. title role debut with Arthur Fagen conducting. Holloway has turned “Salome” into one of her signature roles, performing it in Dreseden, Mannheim, Leipzig, Bilbao, and England’s Opera North. Nathan Berg will {…}
On December 21, 2019, the Eurasia Festival presented the second concert of its Park Avenue Concert Series. Held at the organization’s new location of the Eurasia Cultural Center, this series gives performance opportunities to students of the “Azatt Sessions,” a series of classes taught by director Mark Verzatt and Eurasia Festival President and pianist, Aza Sydykov. A Tenor Opens Opening {…}
(Photo Credit: Kevin Yatarola) On November 26, 2019, Lincoln Center’s Alice Tully Hall was host to the latest iteration of its Great Performers series. This installment saw Czech mezzo-soprano Magdalena Kožená joined by a number of distinguished artists, including Simon Rattle, violinists Giovanni Guzzo and Rahel Maria Rilling, violist Amihai Grosz, cellist David Adorjan, flutist Kaspar Zehnder and clarinetist Andrew {…}
The Spoleto Festival USA has announced its 2019 season, which will feature one major opera production, among other performances. The festival will open with a production of Strauss’ “Salome.” The famed opera will be directed by Patrice Caurier and Mosh Leiser, with the intention of setting the work in a present-day city. It will be the duo’s ninth year with {…}
