It may be wondered why Strauss decided to write an opera about the relative merits of the words and music in opera: “prima la musica o prima le parole?” Although it is a debate as old as opera itself, it is hardly a subject that is likely to excite potential audiences, and it is no doubt one of the reasons {…}
Richard Strauss, born on June 11, 1864, is one of opera’s greatest composers. And many of his operas, including “Elektra,” “Salome,” “Der Rosenkavalier,” “Die Frau ohne Schatten,” and “Ariadne auf Naxos,” are major repertoire staples. Others still get occasional performances, including “Arabella,” “Capriccio,” and “The Egyptian Helen.” But there are still others that for whatever reason simply never made the cut {…}
Over the course of two uninterrupted hours, Strauss’ “Salome” must develop from a clueless ingénue to a passionate seductress that eventually ends up a murderous, lustful lunatic. It is the dream role for any actress, but also one that demands a grade-A star to dispatch all of its nuance and intense passions. Patricia Racette was not supposed to be the {…}
The second performance of the Metropolitan Opera’s “Salome,” starring Patricia Racette, takes place on Friday, Dec. 9. The first performance featured the Met role debut for Racette, a portrayal that earned her universal acclaim. Eric C. Simpson of the New York Classical Review wrote that “ the veteran soprano had a career night Monday, showing she still has an enormous {…}
