Diana Damrau, Bryn Terfel, Cecilia Bartoli & Anja Harteros Lead Opernhaus Zurich’s 2018-19 Season

Opera Zürich has announced its 2018-19 season slate, which is among the largest in the world. It will feature a whopping 12 new productions, among a glut of exciting revivals. Let’s dive in. Premieres  Gisbert Näther’s “Konrad oder das Kind aus der Konservenbüchse” gets a new production by Claudia Blersch.  Ann-Katrin Stöcker conducts two cast which will include Irène Friedli, Katharina Peetz, Flurin {…}

Hawaii Opera Theatre’s 2018-19 Season To Feature Quinn Kelsey, Amanda Woodbury & Pene Pati

The Hawaii Opera Theatre has announced its 2018-19 season featuring three opera productions with numerous acclaimed American artists. The season opens with Gounod’s “Roméo et Juliette,” starring Soprano Amanda Woodbury as Juliet, following her acclaimed performance of the role at The Met. Emmanuel Plasson will conduct the production after his acclaimed “Il Trovatore” in 2016. Performance Dates: October 12, 14, & 16 2018   {…}

Washington National Opera 2017-18 Review – Don Carlo: Great Voices & A Brilliant, Fatalist Production Make Verdi Masterwork More Relevant Than Ever

It’s somewhat of a cliché for Golden Age thinking to creep into the dialogue of the opera world. How many times have you heard someone make the claim that they don’t make great voices the way they used to? The obvious answer is that they don’t because the world has changed and so have tastes. But sometimes, you’ll find those {…}

Metropolitan Opera 2017-18 Review – Il Trovatore: Four Great Voices Give Verdi Drama Wondrous Life In McVicar’s Genius Production

In recent years, Verdi’s “Il Trovatore” has slowly but surely established a potent foothold in the Metropolitan Opera’s standard repertory. The main reason? David McVicar’s striking and still awe-inspiring interpretation of Verdi’s middle-period masterwork. A Master At Work The inspiration of Francisco de Goya and his tableaus is obvious from the opening curtain and onwards. At the core of it {…}

Lyric Opera of Chicago 2017-18 Review – Rigoletto: Matthew Polenzani, Quinn Kelsey and Rosa Feola Dazzle in Verdi’s Tragedy

The Lyric Opera of Chicago opened its season with a fabulous collaboration with the Joffrey Ballet with the French version of “Orphée et Eurydice.” It was a sensational production, although the fact that Gluck’s work doesn’t really feature a great amount of singing perhaps left a void for some hearty Lyric operagoers. Anybody who felt that way certainly had their {…}