Opernhaus Zürich 2017-18 Review – Tosca: Anja Harteros’ Star Power the Driving Force In Carsen’s Production

Anja Harteros. Anja Harteros. Anja Harteros. Yes, reading that isn’t very interesting. Listening to her and experiencing her is quite a different story. The German soprano was nothing short of sensational on a starry Saturday opening night of a revival of the Robert Carsen production of “Tosca” at the Zurich Opera. It was recently reported that Harteros has stopped singing {…}

Amore Opera 2017-18 Review – Tosca: Jose Heredia and Dilara Unsal Ozkan Prove Themselves a Power Couple

Hidden within the Riverside Church on Clairemont avenue is the Riverside Theatre, this is where the production company Amore Opera has set the stage for its production of Puccini’s “Tosca.” Just as the opera itself grapples with love, jealousy, and what lies beneath the surface of facades, Amore Opera’s production has faithfully upheld these themes through the artistry of the {…}

Metropolitan Opera 2017-18 Review – Turandot: James Morris Tribute Takes Centerstage in Overall Uneven Performance of Puccini’s Final Masterpiece

Occasionally music history has strange coincidences where a famous composer is unable to finish his final work. This is particularly strange when the final work has something to do with death. Consider Mozart who died writing a requiem.  Likewise, Giacomo Puccini succumbed to lung cancer before completing “Turandot.”  The last piece he wrote was the funeral march for the slave {…}

Marcelo Álvarez Out of Fall ‘Turandot’ At Metropolitan Opera

Aleksandrs Antonenko has replaced Marcelo Álvarez in the Metropolitan Opera’s October and November performances of Puccini’s “Turandot.” The new was announced via the Metropolitan Opera’s official Twitter account. That is the third major cancellation for the tenor this year, after stepping out of “Andrea Chénier” in Buenos Aires. He also canceled opening night at the Vienna State Opera. He is still {…}