(Credit: Detlef Kurth) Tenor Arturo Chacón-Cruz will no longer be appearing in the Barrie Kosky’s production of Offenbach‘s “Les Contes d’Hoffmann” at the Komische Oper Berlin. As a result, tenor Ric Furman will take over his performances, and will sing the entire run. Furman joins a cast that includes Sydney Mancasola as the Four Heroines, Andrew Foster-Williams as the Four {…}
(Credits: LA Opera official website / Jan Windszus Photography / Lena Kern / Mark Janssen / Georg Schlosser / In Art Management official website) The Komische Oper Berlin has announced its 2021-22 season. Here is a look at the operatic and vocal performances. Opera – Premieres Enescu’s rarely performed masterwork “Œdipe” opens the season. The opera features Jens Larsen, Joachim {…}
( Credit: Gunnar Geller) The Komische Oper Berlin has announced that it will remain shut down until at least Easter 2021, due to continued concerns over the spread of COVID-19. The opera house has officially stated that the productions of Jean-Philippe Rameau’s “Les Boréades,” George Enescu’ s “Œdipe,” and Jacques Offenbach’s opera “Orphée aux enfers” will be postponed until future {…}
(Credit: Monika Rittershaus) OperaVision has announced streams for the first month of 2021. The first opera to be streamed starting on Jan. 3, 2021 will be Barrie Kosky’s production of Handel’s operatic masterpiece “Semele” from the Komische Oper Berlin. The opera features Eric Jurenas as Athamas, Prince of Bœotia; Allan Clayton in the role of Jupiter, King of the Gods; {…}
(Credit: Kristin Hoebermann) Sydney Mancasola has replaced soprano Anna Devin for the initial five performances of Händel’s oratorio “Jephtha” at the Komische Oper Berlin. Mancasola will perform the role of Iphis on May 17, 21, 31, June 5 and 13, 2020. The American soprano recently performed the title role in Händel’s oratorio “Semele” at the Komische Oper Berlin, the role {…}
Komische Oper Berlin has announced its 2019-20 season. This season will celebrate Dionysus, the forefather and protagonist of Greek theatre, with new productions reflecting the entire spectrum of musical theatre. Chief Director Barrie Kosky comments, “. . . [O]nce we believe in the power of theatre and music, believe in their intoxicating, seductive, physical, emotional, and ultimately community-building impacts, once {…}
