Rene Kollo (or René Kollodzieyski, as he was born on Nov. 20, 1937), was a renowned Wagnerian tenor. He took on every major leading role by the great composer, recording almost all of his interpretations to great acclaim with the best of conductors. His Siegfried was recorded with Wolfgang Sawallisch, his Lohengrin and Walther von Stolzing with Herbert Von Karajan, {…}
Jon Vickers, born on Oct. 29, 1926, built up a career as one of the finest dramatic tenors of his time. He conquered a wide range of repertoire across a wide range of houses, became associated with quite a few roles, and then went on to make acclaimed recordings with other major superstars. Vickers’ career got kickstarted in 1957 when {…}
There may be no more haunting work in opera than Benjamin Britten’s “Peter Grimes,” the story of an outsider accused twice of murder by his community. It has been called the greatest British opera that has ever been written by director Keith Warner, who helmed Oper Frankfurt’s current production of this spellbinding work. “Peter Grimes” is based on an early {…}
What is the greatest opera of all time? Everyone has his or her own opinions but a recent poll of 172 of the world’s greatest singers has yielded a consensus – Mozart’s “Le Nozze di Figaro.” The poll included such stars as tenor/baritone Plácido Domingo, sopranos Kiri Te Kanawa and Renée Fleming and bass-baritone Bryn Terfel, among others, and was {…}
Regina Resnik is often cited as one of the great American mezzos of the 20th century. Born on August 30, she managed an international career that spanned a whopping five decades and became a house favorite with such companies as La Scala, the Paris Opera, the Royal Opera, the Vienna State Opera, and of course, the Metropolitan Opera, where she {…}
Benjamin Britten’s “Peter Grimes” had its world premiere on June 7, 1945, and was immediately an operatic success. Hailed as a masterwork, Britten’s most famous opera has been a major staple in almost every opera house around the world. And while there have been numerous tenors that have staked their claim on the role, there are perhaps no artists better {…}
Valencia’s Palau de les Arts has announced its 2017-18 season which will feature nine operas. The first of the bunch will be Puccini’s “Madama Butterfly,” starting on October 11 and running for five performances. The opera will feature a new production by Emilio López. Liana Aleksanyan plays the doomed heroine. Gluck’s “Le Cinesi” follows up with a performance on Nov. {…}
The starting point for any production of Peter Grimes lies in the interpretation of the opera’s central character, namely Peter Grimes himself: to what extent should the audience be encouraged to view the anti-hero as an outsider, a victim of the underlying, but all-pervading intolerance and hypocrisy which saturates the Borough, rather than simply as a sadistic sociopath? Clearly, any {…}