The French Institute / Alliance Française To Present Screening Of ‘Les Contes d’Hoffman’

The French Institute / Alliance Française (FIAF) will present an HD screening of Robert Carson’s production of Offenbach’s “Les Contes d’Hoffman,” performed at the Paris Opera during the 2016/17 season. The screening, a co-presentation with American Friends of The Paris Opera & Ballet in celebration of the company’s 350th anniversary, will be introduced by conductor Joseph Colaneri. Starring Ramón Vargas, the {…}

New Orleans Opera 2017-18 Review – Orpheus in the Underworld: Laughs Aplenty in Offenbach’s Satire That Spares Nobody

It’s always a welcome sight when companies stage works that are underappreciated and lesser known. It’s also risky because such unfamiliarity can result in smaller audiences who would be more willing to come out for works that are more recognizable. With that in mind, it was admirable for New Orleans Opera to present Jacques Offenbach’s “Orpheus in the Underworld” last {…}

Opera Meets Film: Context Shifts How We Hear ‘Les Contes d’Hoffmann’ in Roberto Benigni’s ‘Life is Beautiful’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Roberto Benigni’s “La {…}

Metropolitan Opera 2017-18 Review – Les Contes d’Hoffmann: Vittorio Grigolo Leads a Hilariously Entertaining Evening

Will Bartlett Sher’s production of Offenbach’s “Les Contes d’Hoffmann” become one of the Metropolitan Opera’s more beloved productions now that eight seasons have passed since it debuted?  It is hard to say considering that the final work of Hoffmann remains a mystery that was completed after his death. To recap, the Cologne-born Offenbach died before he completed the score for {…}