The Metropolitan Opera has announced a cast change for the Nov. 26. Michael Fabiano took to social media and said that he would be withdrawing. He said, “Friends. I’m withdrawing again tonight. I really got hit last week. I’m still recovering and doing better but not in a place to deliver an optimal performance tonight. Appreciate your patience. I’ll be {…}
(Credit: Jonathan Tichler / Met Opera) “After 18 years running the Met, and a lifetime of experience in classical music and opera, it’s clear to me that the solution to sustaining opera is through artistic reinvention, both with new operas by living composers, and reimagined productions of classics that can resonate with audiences of today.” So writes Met Opera General {…}
Daniele Rustioni has been named the Metropolitan Opera’s Principal Guest Conductor. He will take on the position for an initial three-year term, becoming only the third Principal Guest Conductor in Met history and will begin his tenure in the 2025–26 season. In his new position, Rustioni will conduct a minimum of two operas per season and will lead a new {…}
(Credit: Jonathan Tichler / Met Opera) On Nov. 12, the Metropolitan Opera will revive Puccini’s “Tosca” with an all-star cast that includes one of today’s most in-demand divas and one of the best Verdi baritones in the industry. But for most Met audiences it will be the debut of one of today’s leading tenor’s that will be the reason to {…}
(Photo: Jonathan Tichler / Met Opera) The Metropolitan Opera’s 2024–25 Live in HD season will continue with Puccini’s “Tosca” on Nov. 23. The HD will star Norwegian soprano Lise Davidsen in the title role, tenor Freddie De Tommaso in his company debut as Cavaradossi, and baritone Quinn Kelsey as Scarpia. Bass-baritone Patrick Carfizzi returns as the Sacristan and Yannick Nézet-Séguinconducts David {…}
The Metropolitan Opera has announced a cast change for its Nov. 8 performance of “Rigoletto.” The company said that for the performance, the role of Gilda will be sung by Erin Morley, replacing Nadine Sierra. Morley performed the role of Gilda during the 2021-22 season and scored rave reviews with critics calling her performance “Incandescently voiced.” Morley is coming off {…}
(Credit: Ken Howard / Met Opera) You’ve heard the cliché that Caruso famously said about doing a production of “Il Trovatore…” You know it. I won’t repeat it. The spirit of the idea stands, but the reality is that it takes far more than just sticking four superstars on stage and letting magic happen. It doesn’t always work that way. {…}
(Photo: Marty Sohl / Met Opera) In recent years, it has become that contemporary opera has an identity issue. In a world where musical theater and cinema / television dominate the entertainment landscape (not to mention video games), contemporary opera has seemingly done its utmost to match these works in breadth and scope. The problem is, opera has always had {…}
(Credit: Metropolitan Opera) The Metropolitan Opera has announced the second cohort of Ukrainian interns. General Manager Peter Gelb announced that Tetiana Hnatiuk, Lada Shylenko, Andrii Koshman, and Daria Maksymova will intern at the company. The four young professionals from Ukraine have been assigned to our media, marketing, and development departments and over the next five months will gain first-hand experience {…}
(Photo credit: Karen Almond / Met Opera) This season’s premiere of Met Opera’s “Tosca” features Polish soprano Aleksandra Kurzak, in the titular role, marking her 100th Met performance. Her Met debut was in 2004 as Olympia in Offenbach’s “Les Contes d’Hoffmann” and her performances leading up to this season have all been unforgettable, especially Kurzak as Tosca. Her voice alongside tenor {…}
(Credit: Paola Kudacki / Met Opera) The Metropolitan Opera is set to present the company premiere of Argentine composer Osvaldo Golijov and librettist David Henry Hwang’s “Ainadamar.” The opera will premiere on Oct. 15 and will be directed and choreographed by Brazilian Deborah Colker. When OperaWire saw the production at the Detroit Opera, John Vandevert said, “The evening was realized {…}