(Photo: Patricio Cassinoni) History has not been kind to Charles Villiers Stanford’s reputation as an opera composer. During his lifetime he wrote nine complete operas, which, apart from his comic opera “Seamus O’Brien,” was met with limited success. Today, they are rarely performed, and none have found their way into the mainstream repertoire. In 2019, the Wexford Festival Opera produced {…}
(Photo: Padraig Grant) To mark the hundredth anniversary of the death of Giacomo Puccini, the Wexford Festival Opera commissioned William Niall Morris to create a short work celebrating the composer’s life and music. The result was a short piece, lasting about an hour, entitled “Puccini: Man of the Theatre,” which essentially amounted to a selection of his greatest hits linked {…}
(Photo: Padraig Grant) The second of Wexford Festival’s pocket operas, Opera Beag, was a presentation of Donizetti’s opéra-comique “La Fille du régiment.” Operating on a low-budget and using only piano accompaniment, director Heather Hadrill was under no illusions of the difficulties involved. In her program notes, she stated “The challenge of pocket operas is to give as full a sense {…}