The Salzburg Festival has announced it 2019 season with five new productions, two revivals, and two concert operas. Here is a look at what audiences can expect this season. Productions The 2019 Salzburg Festival opens with Mozart’s “Idomeneo.” Teodor Currentzis and Peter Sellars team up again after “La Clemenza di Tito” with a cast that includes Russell Thomas (Idomeneo), Paula Murrihy {…}
You’ll see some standard classics and quite a number of rare works in this weekend’s list from Latin America and all around Europe. Here are five picks for this weekend’s top opera to see! Guillaume Tell – Theater an der Wien, Austria John Osborn and Christoph Pohl lead Rossini’s final masterpiece in a production by Torsten Fischer. Jane Archibald rounds out {…}
The last time “Ernani” was presented at La Scala was during the 1982-83 season, starring Plácido Domingo and Mirella Freni, and conducted by Riccardo Muti. Given that it has a claim for being Verdi’s finest opera from his early period, 36 years between productions is a long time. Yet this should not come as a surprise for “Ernani” has suffered {…}
This weekend will showcase a world premiere, a highly anticipated new production, a classic revival, a visiting opera company and the continuation of Wagner’s tetralogy. Here is a look at what OperaWire recommends this weekend. Berénice – Opéra National de Paris, France Barbara Hannigan creates the role of Berénice in Michale Jarrell’s new work. The work also stars Bo Skovhus, Alastair Miles, and {…}
The Teatro San Carlo has announced its 2018-19 season. The season will include some of the biggest stars in opera as well as some rare gems. Here is a look at what San Carlo will offer operagoers next season. Productions Riccardo Muti conducts the opening night with a new production by Chiara Muti of Mozart’s “Così Fan Tutte.” Alessio Arduini, {…}
Verdi made two distinct versions of “Don Carlos” plus a number of smaller-scale revisions. The original 1866 version written in French, was altered before its premiere, mainly for logistical reasons, as it was considered to be too long. The Italian version, written in 1884, with its Italian title “Don Carlo” contained extensive changes, most notably its reduction from five to {…}
It’s a weekend of firsts with two major stars making major role debuts, while two other major stars headline an important world premiere. But it is also a weekend of endings as one of the greatest opera legends says goodbye to staged opera. Here is a look at what will definitely an incredibly unforgettable weekend. L’Italiana in Algeri-Teatro Colón, Argentina {…}
The scene is set: a masked ball, set into the morning audience of King Gustavo III of Sweden – scarlet taffeta capes and gowns, coal-black hats and boots, creme and black masks. Donald Runnicles’, Music Director of the Deutscher Oper Berlin, lifts his baton with the brisk and lively overture to Verdi’s “Un Ballo In Maschera” and the curtain rises. {…}
The Berlin Philharmonic has announced its 2018-19 season, which is set to feature a number of musical events with some of the greatest performers in the world. For this season announcement, we will only focus on the vocal performances scheduled. Here is a look: Tamara Mumford and Gustavo Dudamel join forces for an evening of Bernstein and Shostakovich. Performance Dates: Oct. {…}
The Arena di Verona has announced its casting for the 2018 festival, showcasing some of the biggest stars in the opera world. Here is a breakdown of what stars will grace the stage of the famous arena. Carmen Three mezzos take on the iconic role of “Carmen” including Anna Goryachova and Carmen Topciu. They are joined by four Don José’s including Brian Jagde, {…}
UPDATE: Hampson posted a message on his Facebook account to clarify his health situation. “I regrettably announce that I had to withdraw from last Saturday’s performance in Oviedo. Unfortunately, I had an extremely aggravating flu last week following a truly enjoyable Operetta tour with Piotr and Annette, and needed time to recover. I’ve been looking forward to my debut as Don {…}