Teatro alla Scala Confirms Riccardo Chailly for Next Performance of ‘Lady Macbeth of Mtsensk’

Riccardo Chailly will conduct the next performance of “Lady Macbeth of Mtsensk” at the Teatro alla Scala. The theater confirmed the news stating, “Teatro alla Scala is pleased to announce that Maestro Riccardo Chailly’s health has improved and he will be able to conduct the performance of Lady Macbeth of the Mtsensk District on Saturday 13 December.” The statement comes {…}

Q & A: Sara Jakubiak on her Debut at the Teatro alla Scala, ‘Lady Macbeth of Mtsensk’ & Opening Night

The Teatro alla Scala’s opening night is one of the most important evenings in the opera world. The opening is always held on December 7, which celebrates the feast of Sant’Ambrogio. It is also streamed globally, creating much buzz around the world. For this year’s celebration, the Milan theater has chosen Shostakovich’s masterwork “Lady Macbeth of Mtsensk” with Sara Jakubiak {…}

How to Watch Teatro alla Scala’s Opening Night ‘Lady Macbeth of Mtsensk’ Starring Sara Jakubiak

(Credits: Brescia e Amisano) The Teatro alla Scala is set to broadcast Shostakovich’s “Lady Macbeth of Mtsensk” on Dec. 7, 2025, continuing its tradition of showcasing opening night on Rai1, Raiplay, and Radio3.It will also be available on demand on RayPlay until 15 days after the live. The performance will also broadcast on ARTE in France and the French-speaking countries {…}

Gran Teatre del Liceu Announces Cast Change for ‘Lady Macbeth of Mtsensk’

(Credit: Gran Teatre del Liceu Website) The Gran Teatre del Liceu has announced a cast change for Shostakovich’s “Lady Macbeth of Mtsensk.” The Barcelona company said, that tenor Ilya Selivanov will the role of Zinovi Ismailov replacing Daniel Kirsch, who has canceled his participation in the production for artistic reasons. Selivanov is a Mariinsky Opera Academy of Young Singers, Prize-winner at the {…}

Boston Symphony Orchestra 2023-24 Review: Lady Macbeth of Mtsensk

Photo: Winslow Townson The first time my partner watched Shostakovich’s “Lady Macbeth of Mtsensk,” he couldn’t believe that the composer ever thought a Stalinist regime would be pleased with the opera. The “in-your-face” power of the work made him—a (handsome) man whose political convictions ponder between socialism and cowboyism—find endearing that ‘Shosta’ could not see his censoring coming. Even today, {…}